{"title":"Books \u0026 Editions","description":"","products":[{"product_id":"karten-mappe","title":"Karten Mappe","description":"\u003cp\u003e[produkt_tabelle]\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eTitle:\u003c\/td\u003e\n\u003ctd\u003e\u003ch1\u003e\u003cem\u003eKarten Mappe\u003c\/em\u003e\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eArtist:\u003c\/td\u003e\n\u003ctd\u003e[k]Esther Ernst[\/k]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEditor:\u003c\/td\u003e\n\u003ctd\u003eJulia Draganović\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear:\u003c\/td\u003e\n\u003ctd\u003e2021\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003epublication; 272 pages, 28.5\u0026nbsp;×\u0026nbsp;20.5\u0026nbsp;cm, paperback with hot foil embossing, open spine, thread binding in neon yellow\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eText:\u003c\/td\u003e\n\u003ctd\u003eJulia Draganović, Jörg Laue, Esther Ernst\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLanguage:\u003c\/td\u003e\n\u003ctd\u003eGerman, Italian\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eDesign:\u003c\/td\u003e\n\u003ctd\u003eCarmen Klaucke\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN:\u003c\/td\u003e\n\u003ctd\u003e978-3-907112-43-4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePrice:\u003c\/td\u003e\n\u003ctd\u003e[preis]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e[\/produkt_tabelle] [produkt_text]\u003c\/p\u003e\n\u003cp\u003eThe monograph \u003ci\u003eKARTEN MAPPE (MAPS FOLDER)\u003c\/i\u003e compiles the illustrative works of the visual artist Esther Ernst, whose work deals with the field of cartography. In 2020, Esther Ernst was a fellow at the German Academy in Rome, Casa Baldi, in Olevano Romano. During her stay there, she explored and drew her location, just as she had already done during other residencies in Cairo, Jena, Johannesburg and Cape Town. The illustrations she produced in these places are geographical and biographical in equal measure. They tell us not only of urban spaces but also of the artist’s own life, her encounters and experiences. She integrates notes, reflections and associations, which then unfold as colourful and glittering worlds.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eMAPS FOLDER\u003c\/i\u003e lets us embark as readers and observers on a journey to faraway, sometimes fantastical places, and more than anything else into the world of Esther Ernst.\n\u003c\/p\u003e\n\u003cp\u003e[\/produkt_text]\u003c\/p\u003e","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40346993164476,"sku":"0133-P","price":42.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/Karten_Mappe_0001.jpg?v=1635177253"},{"product_id":"zierstiche-laufen","title":"Zierstiche. Laufen","description":"\u003cp\u003e[produkt_tabelle]\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eTitle:\u003c\/td\u003e\n\u003ctd\u003e\u003ch1\u003e\u003cem\u003eZierstiche. Laufen\u003c\/em\u003e\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSeries:\u003c\/td\u003e\n\u003ctd\u003e[r]Kunst und Bau[\/r] number 10\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eArtist:\u003c\/td\u003e\n\u003ctd\u003e[k]Esther Ernst[\/k]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEditor:\u003c\/td\u003e\n\u003ctd\u003eVera Ida Müller\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear:\u003c\/td\u003e\n\u003ctd\u003e2021\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003ePublication; Booklet: 24,5\u0026nbsp;×\u0026nbsp;16.5\u0026nbsp;cm \/ Poster: 98\u0026nbsp;×\u0026nbsp;66\u0026nbsp;cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eText:\u003c\/td\u003e\n\u003ctd\u003ePatricia Bieder\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLanguage:\u003c\/td\u003e\n\u003ctd\u003eDeutsch\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eDesign:\u003c\/td\u003e\n\u003ctd\u003eKrispin Heé, Samuel Bänziger\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN:\u003c\/td\u003e\n\u003ctd\u003e978-3-907112-40-3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePrice:\u003c\/td\u003e\n\u003ctd\u003e[preis]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e[\/produkt_tabelle] [produkt_text]\u003c\/p\u003e\n\u003cp\u003eThe series Reihe \u003cem\u003eKunst und Bau\u003c\/em\u003e (Art and Building) began in 2014. It gives a platform to selected artistic projects that were realised in connection with architecture or in public space. Although the contexts change, the format always remains the same and consists of a folding booklet and a poster.\n\u003c\/p\u003e\n\u003cp\u003e\nEsther Ernst designed curtains for a secondary school in Laufen, which she had embroidered with her drawings. The artist developed the subjects by referencing content from the youngsters’ lessons as well as themes from their leisure time.\u003c\/p\u003e\n\u003cp\u003e[\/produkt_text]\u003c\/p\u003e","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40348248899772,"sku":"0132-P","price":5.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/Postkarte-No10.jpg?v=1635177225"},{"product_id":"enzyklopadie-der-insel-formosa-ein-nachschlagewerk-zu-politik-gesellschaft-und-natur","title":"Enzyklopädie der Insel Formosa. Ein Nachschlagewerk zu Politik, Gesellschaft und Natur","description":"\u003cp\u003e[produkt_tabelle]\u003c\/p\u003e\n\u003ctable data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ch1\u003e\u003cem\u003eEnzyklopädie der Insel Formosa. Ein Nachschlagewerk zu Politik, Gesellschaft und Natur\u003c\/em\u003e\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cp\u003eArtist:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cp class=\"p1\"\u003e[k]Ondine Pannet[\/k]\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003eYear:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e2021\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003ePublication; 128 pages, 28\u0026nbsp;×\u0026nbsp;19\u0026nbsp;cm, laminated hardcover with banderole, thread stitching, ribbon bookmark\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cp\u003eText:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cp class=\"p1\"\u003eOriginal text by George Psalmanaazaar, Encyclopedia and afterword: Aline Fieker \u0026 Ondine Pannet\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cp\u003eLanguage:\u003cbr\u003e\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cp class=\"p1\"\u003eGerman\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eDesign:\u003c\/td\u003e\n\u003ctd\u003eOndine Pannet\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN:\u003c\/td\u003e\n\u003ctd\u003e978-3-907112-38-0\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePrice:\u003c\/td\u003e\n\u003ctd\u003e[preis]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e[\/produkt_tabelle] [produkt_text]\u003c\/p\u003e\n\u003cp\u003eOndine Pannet's \u003cem\u003eEnzyklopädie der Insel Formosa\u003c\/em\u003e (Encyclopaedia of the Island of Formosa) deals with motifs of the foreign, forms of exoticism and the critical question of the veracity of historiography. Her artist's book is a commentary on George Psalmanaazaar's fictional travelogues from the island of Formosa, which he presented in London in 1703. Pannet casts a new perspective on his imaginative remarks by detaching the travelogue from its original form of continuous text and transferring it to the scholarly medium of the encyclopaedia. She enhances the presentiveness of the scientific articles with numerous illustrations and tables, which she supplements with a vocabulary (Formosan –  German) and colour photographs of botanical gardens, artificial oases and houseplants. Here, she draws on Psalmanaazaar's focus on Formosan as a language and a micrography, but develops it further, subtly putting the suggested scientific evidence in question again and again. In doing so, she plays with the fine line between authentic facts and fictional aspects, between which Psalmanaazaar already oscillated in his travelogues.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.deutschlandfunkkultur.de\/exotismus-und-fake-news-die-erfundene-kultur-von-formosa-podcast-dlf-kultur-f2640e72-100.html\" target=\"_blank\" title=\"Exotismus und Fake News: Die erfundene Kultur von Formosa (Podcast)\" rel=\"noopener noreferrer\"\u003eExotismus und Fake News: Die erfundene Kultur von Formosa (Podcast)\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e[\/produkt_text]\u003c\/p\u003e","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40348333605052,"sku":"0131-P","price":45.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/01_20210603_232650__IMG0031_ff.jpg?v=1627641706"},{"product_id":"kreatur-o-t","title":"KREATUR O.T.","description":"\u003cp\u003e\u0026gt;[produkt_tabelle]\u003c\/p\u003e\n\u003ctable data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ch1\u003e\u003cem\u003eKREATUR O.T.\u003c\/em\u003e\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cp\u003eArtist:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cp\u003e[k]Alba Frenzel[\/k]\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003eYear:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e2021\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003ePublication; 276 pages, 27\u0026nbsp;×\u0026nbsp;20.5\u0026nbsp;cm, softcover, perfect binding, brochure, individual cover for each book\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition:\u003c\/td\u003e\n\u003ctd\u003e276 copies\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cp\u003eText:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cp class=\"p1\"\u003eAlba Frenzel\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cp\u003eLanguage:\u003cbr\u003e\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cp class=\"p1\"\u003eGerman\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eDesign:\u003c\/td\u003e\n\u003ctd\u003eAlba Frenzel\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN:\u003c\/td\u003e\n\u003ctd\u003e978-3-907112-27-4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePrice:\u003c\/td\u003e\n\u003ctd\u003e[preis]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e[\/produkt_tabelle] [produkt_text]\u003c\/p\u003e\n\u003cp\u003e\"I discovered an endangered species on analogue image material; I call it Creature. People always say that it is nothing more than dust, scratches and stains: imperfections that destroy the pure image and therefore always get retouched out of existence. Since the revolution of digital photography, these phenomena are more endangered than ever.\n\u003cbr\u003e\nI contend that they are as valuable as any other component in a painting. Detached from its context, \u003cem\u003eKreatur o.T.\u003c\/em\u003e (Creature Untitled) again becomes an independent image.\nThe catalogue presents 276 preserved specimens arranged chronologically according to the date on which they were discovered. The 276 printed books each feature a different discovered creature on the front cover.\" Alba Frenzel\u003c\/p\u003e\n\u003cp\u003e[\/produkt_text]\u003c\/p\u003e","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40348370239676,"sku":"0130-P","price":38.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/Kreatur_0001.jpg?v=1635177194"},{"product_id":"wire-drawings-utilitary-photography","title":"wire drawings. utilitary photography","description":"[produkt_tabelle]\n\u003ctable data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ch1\u003e\u003cem\u003ewire drawings. utilitary photography\u003c\/em\u003e\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cp\u003eArtist:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cp\u003e[k]Ulrike Brückner[\/k]\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003eYear:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e2021\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003ePublication; 48 pages, 28\u0026nbsp;×\u0026nbsp;20\u0026nbsp;cm, Swiss brochure\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cp\u003eText:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cp class=\"p1\"\u003eJens Ruchatz\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cp\u003eLanguage:\u003cbr\u003e\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cp class=\"p1\"\u003eGerman, Englisch\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eDesign:\u003c\/td\u003e\n\u003ctd\u003eUlrike Brückner\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN:\u003c\/td\u003e\n\u003ctd\u003e978-3-907112-30-4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePrice:\u003c\/td\u003e\n\u003ctd\u003e[preis]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n[\/produkt_tabelle] [produkt_text]\n\u003cp\u003eIn \u003cem\u003ewire drawings\u003c\/em\u003e, Ulrike Brückner deals with ‘utilitary’ photography, which is used on platforms such as eBay. It was there that she first discovered the photogenic nature of cables, which are often offered for sale displayed in boxes, piled in heaps or lying on the floor in private spaces. The cable photographs evoke for her virtuoso drawings or paintings with an expressive style. She appropriates these photographs by experimenting with motif and pictorial space, replacing the original surroundings with black, partially processed backgrounds and composing new visual worlds in the process. The contextual shift alters the view of the motifs and causes the multifaceted beauty of the cable arrangements to emerge. This effect is further enhanced by the serial presentation in the publication. A further enlargement of the concept can be found in the eponymously titled edition. The artist has had one of the amateur pictures digitally reworked and presents a pile of cables as a large-format panel painting. \n\u003cbr\u003eThe publication is accompanied by the text \u003cem\u003eFotos auf dem Marktplatz. Persönliche Bildästhetiken auf eBay\u003c\/em\u003e (Photos on the martketplace. Personal image aesthetics on eBay) by Jens Ruchatz.\u003c\/p\u003e[\/produkt_text]","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40348597518524,"sku":"0129-P","price":27.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/02_wire-drawings.jpg?v=1638303000"},{"product_id":"wire-drawings","title":"Special edition wire drawings from wire drawings. utilitary photography","description":"\u003cp\u003e[produkt_tabelle]\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003ch1\u003eSpecial edition \u003cem\u003ewire drawings\u003c\/em\u003e of the publication\u0026nbsp;\u003cem\u003ewire drawings. utilitary photography\u003c\/em\u003e\n\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eArtist:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp\u003e[k]Ulrike Brückner[\/k]\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear:\u003c\/td\u003e\n\u003ctd\u003e2021\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003eSpecial edition; publication with enclosed photograph on Photo Rag Ultra Smooth: 16,5\u0026nbsp;cm\u0026nbsp;×\u0026nbsp;23,5\u0026nbsp;cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition:\u003c\/td\u003e\n\u003ctd\u003e1\/6-6\/6 plus two first editions, numbered and signed\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e[\/produkt_tabelle]\u003c\/p\u003e","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40348636545212,"sku":"0025-VA","price":0.0,"currency_code":"CHF","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/01.jpg?v=1635170510"},{"product_id":"poststudio-arbeiten-mit-umgebungen","title":"Poststudio. Arbeiten mit Umgebungen","description":"\u003cp\u003e[produkt_tabelle]\u003c\/p\u003e\n\u003ctable data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003ch1\u003e\u003cem\u003ePoststudio. Arbeiten mit Umgebungen\u003c\/em\u003e\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cp\u003eArtist:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cp\u003e[k]Fritz Balthaus[\/k]\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003eYear:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e2021\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003ePublication; 280 pages, 24.6\u0026nbsp;×\u0026nbsp;18\u0026nbsp;cm, hardcover with cloth cover, dust jacket, thread stitching\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eText:\u003c\/td\u003e\n\u003ctd\u003eMain text: Michaela Richter, Inset texts: Fritz Balthaus, Project texts and quotations: Horst Bredekamp, Jana Bruggmann, Guido Fassbinder, Harald Fricke, Peter Friese, Manfred Schneckenburger, Annette Tietenberg and Thomas Wulffen\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLanguage:\u003c\/td\u003e\n\u003ctd\u003eGerman, English\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eDesign:\u003c\/td\u003e\n\u003ctd\u003eStudio Krispin Heé (Krispin Heé und Tim Wetter)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN:\u003c\/td\u003e\n\u003ctd\u003e978-3-907112-35-9\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePrice:\u003c\/td\u003e\n\u003ctd\u003e[preis]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e[\/produkt_tabelle][produkt_text]\u003c\/p\u003e\n\u003cp\u003eThis publication provides the first comprehensive overview of the work of the artist Fritz Balthaus (*1952), who lives in Germany and Switzerland. The monograph Poststudio. Arbeiten mit Umgebungen (Post studio. Working with Environments) presents an oeuvre that consistently and humorously explores the parameters which determine the interpretation and production of artistic works. Balthaus mixes these into one another until they begin to dissolve, along with the barrier between recipient and artist.\u003c\/p\u003e\n\u003cp\u003e\nIn her illuminating main text, Michaela Richter introduces the multi-layered work of Fritz Balthaus via five temporal and thematic sections – PAPER, AIR, LIGHT, WALL and BUILDING –  and knowledgably traces his motives and attitudes. Individual works are examined more closely via the integration of project-related texts and quotations from Horst Bredekamp, Jana Bruggmann, Guido Fassbinder, Harald Fricke, Peter Friese, Manfred Schneckenbürger, Annette Tietenberg and Thomas Wulffen. In addition, there are concept and inset texts from the artist. Over 280 pages with 360 illustrations of works, the book reveals much with its environments.\n\u003c\/p\u003e\n\u003cp\u003e\nLike almost all the works, the publication’s dust jacket takes a conceptual approach. It sees Balthaus anticipating the generation of a standard generic book cover, like those one might see on the Internet. When a book is put up for sale there and the seller does not upload a picture of the book cover, standard book covers featuring the title and names of authors are generated for display. In doing so, Balthaus has made the systems surrounding the book's subject matter his own and, as in almost all his works, spared himself superfluous decisions of taste. \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tolookat.de\/category\/kuenstlerbuecher-und-buecher-ueber-kuenstlerbuecher\/\" target=\"_blank\"\u003eReview of Fritz Balthaus' book «Poststudio»\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/files\/Vexer_Poststudio_Balthaus_2023-1_Wandelhalle_S33_44_Buechertipps.pdf?v=1684143413\" target=\"_blank\"\u003e«Wandelhalle, S.33-34, Büchertips»\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e[\/produkt_text]\u003c\/p\u003e","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40348689694908,"sku":"0128-P","price":44.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/01_20210604_001444__IMG0064_ff.jpg?v=1627641643"},{"product_id":"chr-k-journal-um-eine-erwartung-1995-2018","title":"CHR.K. – Journal um eine Erwartung. 1995–2018","description":"\u003cp\u003e[produkt_tabelle]\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003ch1\u003e\u003cem\u003eCHR.K. – Journal um eine Erwartung. 1995–2018\u003c\/em\u003e\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eArtist:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp\u003e[k]Jso Maeder[\/k]\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEditor:\u003c\/td\u003e\n\u003ctd\u003ePeter Zimmermann\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear:\u003c\/td\u003e\n\u003ctd\u003e2021\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003ePublication; 216 pages, 20.6\u0026nbsp;×\u0026nbsp;13.3\u0026nbsp;cm, paperback, dust jacket (acetate film, silkscreen), thread stitching\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eText:\u003c\/td\u003e\n\u003ctd\u003eJohannes Binotto, Sabine Folie, Frank M. Raddatz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLanguage:\u003c\/td\u003e\n\u003ctd\u003eGerman\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eDesign:\u003c\/td\u003e\n\u003ctd\u003ePeter Zimmermann\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN:\u003c\/td\u003e\n\u003ctd\u003e978-3-907112-32-8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePrice:\u003c\/td\u003e\n\u003ctd\u003e[preis]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e[\/produkt_tabelle] [produkt_text]\u003c\/p\u003e\n\u003cp\u003eThe book project \u003cem\u003eCHR.K. – Journal um eine Erwartung\u003c\/em\u003e (CHR.K. – Journal of an Expectation) documents daily artistic perception in a very personal way – a sensual and Dadaistic montage. \nIt contains the facsimiled original artist's book by Jso Maeder, created between 1995 and 2018. He begins with daily recorded text fragments, trains of thought and babbles of voices (in other words: \"the cinema\u0026nbsp;inside the artist’s\u0026nbsp;head\") and translates these into an artistic language, which he reinterprets and compiles in word and image. Handwritten text, (ink) drawings and pasted images combine to create a dense conglomeration of impressions and snatches.\u003c\/p\u003e\n\u003cp\u003eIn terms of form, the work veers towards the aesthetics of picture stories and comic strips. Despite this obvious reference, however, it does not follow a chronological plot with corresponding pictorial representations, but rather its own logic. The text passages it contains were initially created for a filmic work. This then became a book work from the year 2000 onwards. The resulting visual diary is continued and supplemented, as it were, by the texts of Sabine Folie, Johannes Binotto and Frank M. Raddatz –  in the form of a glossary, an approach at a distance and a soliloquy.\u003c\/p\u003e\n\u003cp\u003e[\/produkt_text]\u003c\/p\u003e","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40353556201660,"sku":"0127-P","price":38.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/01_20210604_003045__IMG0076_ff.jpg?v=1627641620"},{"product_id":"uber-alles-im-bilde-betrachtungen","title":"Über alles im Bilde. Betrachtungen","description":"\u003cp\u003e[produkt_tabelle]\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003ch1\u003e\u003cem\u003eÜber alles im Bilde. Betrachtungen\u003c\/em\u003e\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eArtist:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp\u003e[k]Camillo Paravicini[\/k]\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEditor:\u003c\/td\u003e\n\u003ctd\u003eBündner Kunstmuseum Chur\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear:\u003c\/td\u003e\n\u003ctd\u003e2021\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003ePublication; 110 pages, 20,5\u0026nbsp;×\u0026nbsp;13,4\u0026nbsp;cm, hardcover with cloth cover, thread stitching, ribbon bookmark\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eText:\u003c\/td\u003e\n\u003ctd\u003eJana Bruggmann, Gianni Jetzer, Claire Hoffmann, Aoife Rosenmeyer, Sabine Rusterholz Petko, Interview by Damian Jurt with Camillo Paravicini\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLanguage:\u003c\/td\u003e\n\u003ctd\u003eGerman\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eDesign:\u003c\/td\u003e\n\u003ctd\u003eStephan Fiedler, Camillo Paravicini\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN:\u003c\/td\u003e\n\u003ctd\u003e978-3-907112-36-6\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePrice:\u003c\/td\u003e\n\u003ctd\u003e[preis]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e[\/produkt_tabelle] [produkt_text]\u003c\/p\u003e\n\u003cp\u003eThis first monographic book by Camillo Paravicini accompanies his solo exhibition \u003cem\u003eHART, ABER FAIR\u003c\/em\u003e (FIRM, BUT FAIR), which was held to coincide with the Chur Manor Art Prize at the Chur Museum of Fine Arts. \n\nOne of Swiss art’s risk-takers in recent times, Camillo Paravicini is constantly on the search for possible answers to understand our present. This curiosity fuels a journey across uncertain terrain.  Although the extraordinary craftsmanship and precision alone make Camillo Paravicini's works impressive, they are further brought to life by a humour-tinged philosophical questioning of what is considered true and certain.\u003c\/p\u003e\n\u003cp\u003eIn this first monograph, the most important works of recent years become testimonies to a conversation that sees the artist stepping into the ring with curator Damian Jurt — this time to be questioned as a questioner. Texts on individual aspects of his work by Jana Bruggmann, Gianni Jetzer, Claire Hoffmann, Aoife Rosenmeyer and Sabine Rusterholz Petko accompany the entertaining and enlightening conversation.\u003c\/p\u003e\n\u003cp\u003e[\/produkt_text]\u003c\/p\u003e","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40353633992892,"sku":"0126-P","price":25.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/ober-alles-im-Bilde_01.jpg?v=1627641588"},{"product_id":"2-brillen","title":"2 Brillen","description":"\u003cp\u003e[produkt_tabelle]\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003ch1\u003e\u003cem\u003e2 Brillen\u003c\/em\u003e\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eArtist:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp\u003e[k]Fritz Balthaus[\/k]\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear:\u003c\/td\u003e\n\u003ctd\u003e2021\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003eEdition; two photographs: each 29.7 × 21 cm, one photograph framed, one in a clip-on frame\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition:\u003c\/td\u003e\n\u003ctd\u003e1\/5–5\/5, 2 E.A. numbered and signed on the certificate\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e[\/produkt_tabelle][produkt_text]\u003c\/p\u003e\n\u003cp\u003eThe edition displays two pairs of glasses with opposing \"world views\": glasses frame, no glasses frame and picture frame, no picture frame. These opposing strategies exist with the greatest possible difference in the case the framed picture and the frameless picture holder. Glasses can be seen through, but when they are looked at, they take the eye into the eye and exclude the rest – just as the picture frame separates the framed picture from the framed world. Frameless glasses tend to disappear as glasses themselves – eye and face become one, just as the frameless image holder wants to abolish the boundary between image and world as far as possible and desires for the world to be a whole without thresholds. Neither of these glasses, however, can hide the fact that the notorious boundaries of our multiple environmental systems are merely shifted, in that gallery spaces, museums and art itself have become invisible glasses.\n(Anibas D’Legne Liez)\u003c\/p\u003e\n\u003cp\u003e[\/produkt_text]\u003c\/p\u003e","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40353705361596,"sku":"0030-E","price":0.0,"currency_code":"CHF","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/freigestellt_Vexer-1002604.jpg?v=1633286102"},{"product_id":"the-sirens","title":"Special edition The Sirens from Becoming Siren","description":"\u003cp\u003e[produkt_tabelle]\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003ch1\u003eSpecial edition \u003cem\u003eThe Sirens\u003c\/em\u003e of the publication\u0026nbsp;\u003cem\u003eBecoming Siren\u003c\/em\u003e\n\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eArtist:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp\u003e[k]Alexandra Hopf[\/k]\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear:\u003c\/td\u003e\n\u003ctd\u003e2021\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003eSpecial edition; publication Becoming Siren and Baryt photograph: 13.33\u0026nbsp;×\u0026nbsp;20\u0026nbsp;cm, artist's frame, 54\u0026nbsp;x\u0026nbsp;41\u0026nbsp;cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition:\u003c\/td\u003e\n\u003ctd\u003eFive motifs 1\/5-5\/5, numbered and signed\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e[\/produkt_tabelle]\u003c\/p\u003e","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40354031861948,"sku":"0025-VA","price":0.0,"currency_code":"CHF","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/AfterEmma_baryt.jpg?v=1635170401"},{"product_id":"the-place-to-be-nightclubs-in-berlin-2013-2020","title":"The Place to Be. Nightclubs in Berlin 2013–2020","description":"\u003cp\u003e[produkt_tabelle]\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003ch1\u003e\u003cem\u003eThe Place to Be. Nightclubs in Berlin 2013–2020\u003c\/em\u003e\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eArtist:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp\u003e[k]Julie Chovin[\/k]\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear:\u003c\/td\u003e\n\u003ctd\u003e2021\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003ePublication; 220 pages, 30\u0026nbsp;×\u0026nbsp;12.1\u0026nbsp;cm, Swiss brochure, thread stitching\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eText:\u003c\/td\u003e\n\u003ctd\u003eBoris Grésillon, Séverine Marguin\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLanguage:\u003c\/td\u003e\n\u003ctd\u003eGerman, English, French\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eDesign:\u003c\/td\u003e\n\u003ctd\u003eStudio Daniel Rother\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN:\u003c\/td\u003e\n\u003ctd\u003e978-3-907112-29-8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePrice:\u003c\/td\u003e\n\u003ctd\u003e[preis]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e[\/produkt_tabelle] [produkt_text]\u003c\/p\u003e\n\u003cp\u003eBetween 2013-2020, the artist Julie Chovin photographed around 220 nightclubs in Berlin. She based her work on a ‘club list’ published on the City of Berlin’s official website. The title, \u003cem\u003eThe Place to Be\u003c\/em\u003e, is the slogan the City chose for its marketing campaign. Chovin appropriated the questionable title of this campaign for her book and took the list as a starting point for her photo project.\u003c\/p\u003e\n\u003cp\u003eThe Berliner-by-choice sought out the clubs’ locations, which are spread out all over the city: from \u003cem\u003e1a Lauschgift to Berghain\u003c\/em\u003e and \u003cem\u003ePuro Sky Lounge\u003c\/em\u003e to \u003cem\u003eZur Klappe\u003c\/em\u003e. However, Chovin’s photographs do not document the interiors or detritus of the nightly hustle and bustle. Her focus is on the exterior facades and entrances, which are located on the streets and are often surprisingly inconspicuous. Taking a frontal view of the facades and the locked club doors, Chovin photographs her subjects in daylight, staging them as part of an urban environment rather than places of intoxicated ecstasy. She captures an everyday view of the urban club landscape, documenting places that in some cases no longer exist – or will soon cease to exist because they have become victims of the gentrification process. Some clubs had already closed when she finished the series at the beginning of 2020 and more have likely followed since then. In retrospect, the photographs make it seem as if the artist had predicted the lockdown: the deserted images underscore an anxiety that the formerly vibrant Berlin could soon exist only in memory.\nThe book features 220 colour illustrations accompanied by two texts: Boris Grésillon takes us briefly back in time through Berlin's techno history and Séverine Marguin describes Chovin's club archive from an urban sociological perspective.\u003c\/p\u003e\n\u003cp\u003eThe book was designed by Studio Daniel Rother; its idiosyncratic format is reminiscent of a city map. The design concept picks up on the artist's serial way of working and gives a sense of the city's vastness. The photographs are superimposed in full format, with additional images cropped to the left and right of the photographs. The club locations frame the photographs as GPS data.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmeinwurf.ch\/2021\/03\/29\/berliner-clubs-von-lauschgift-bis-zur-klappe\/\" target=\"_blank\"\u003eBook review \u003cem\u003eBerliner Clubs vom Lauschangriff bis zur Klappe\u003c\/em\u003e by Michael Guggenheimer\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.tk-21.com\/Livre-d-artiste-The-Place-to-be?fbclid=IwAR2EzJ2mGh8zR5p31SY_oAv_naFdHRYOxW9gXLFw2k4DjUdvhCNnbD0Pkn8\u0026lang=fr#nh4\" target=\"_blank\"\u003eArticle by Etienne Diemert in the Revue TK-21\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.rts.ch\/audio-podcast\/2021\/audio\/julie-chovin-l-artiste-qui-marche-25767637.html\" target=\"_blank\"\u003eRadio interview\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e[\/produkt_text]\u003c\/p\u003e","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40354054406332,"sku":"0125-P","price":29.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/01_IMG_9463-Modifier_jChovin_web.jpg?v=1638359839"},{"product_id":"der-wunsch-zu-verschwinden","title":"Der Wunsch zu verschwinden","description":"\u003cp\u003e[produkt_tabelle]\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003ch1\u003e\u003cem\u003eDer Wunsch zu verschwinden\u003c\/em\u003e\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eArtist:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp\u003e[k]Max Schulze[\/k]\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEditor:\u003c\/td\u003e\n\u003ctd\u003eWiebke Siever\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear:\u003c\/td\u003e\n\u003ctd\u003e2021\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003ePublication; 424 pages, 24\u0026nbsp;×\u0026nbsp;17\u0026nbsp;cm, softcover, thread stitching, brochure\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eText:\u003c\/td\u003e\n\u003ctd\u003eWiebke Siever, Hans-Jürgen Hafner\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLanguage:\u003c\/td\u003e\n\u003ctd\u003eGerman, English\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eDesign:\u003c\/td\u003e\n\u003ctd\u003eStudio Daniel Rother\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN:\u003c\/td\u003e\n\u003ctd\u003e978-3-907112-37-3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePrice:\u003c\/td\u003e\n\u003ctd\u003e[preis]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n[\/produkt_tabelle] [produkt_text]\n\u003cp\u003eThe book presents the three recent series \u003cem\u003eSerien Cool Mild Pure Warm (Streetfile)\u003c\/em\u003e, \u003cem\u003eEPS\u003c\/em\u003e and \u003cem\u003eDer Wunsch zu verschwinden (Camopedia)\u003c\/em\u003e (The Desire to Disappear (Camopedia)) by artist Max Schulze. \nHe is concerned with the question of where and how painting is created in the year 2021: what about the traditional categorisations of colour and form, figuration and abstraction, or surface and space? What paths does contemporary painting seek against this backdrop and what aesthetic power is inherent to it?\u003c\/p\u003e\n\u003cp\u003eThe 32 paintings of the series \u003cem\u003eDer Wunsch zu verschwinden (Camopedia)\u003c\/em\u003e are based on the 32 shades of the Alpina Feine, system, which Schulze uses to paint different camouflage patterns. This specially curated colour system is loaded with feel-good associations conjured up by marketing. These associations are upended with the use of the military camouflage pattern. Schulze is preoccupied with the question of why camouflage is omnipresent in fashion and design, especially today, in a time determined by many political and social changes\u003c\/p\u003e\n\u003cp\u003eFor the series \u003cem\u003eCool Mild Pure Warm (Streetfile)\u003c\/em\u003e Schulze also draws on colour systems, which he combines with photographs of various paint attacks in public space. The result is a – not entirely unhumorous – commentary on the commercial exploitation of paint in colour systems, as well as its misappropriation via political \"attacks\" in public space.\u003c\/p\u003e\n\u003cp\u003eThe name of the \u003cem\u003eEPS\u003c\/em\u003e series refers to a material known by the brand name \u003cem\u003eStyrofoam\u003c\/em\u003e. Schulze sticks this onto abstract paintings, albeit not completely, but rather in a way that leaves parts of the underlying picture plane untouched. The picture underneath is concealed as it were as protected by the insulation. It creates a similarly ambivalent visual impression to that which is experienced in the other series.\u003c\/p\u003e\n[\/produkt_text]","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40354125840572,"sku":"0124-P","price":35.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/01_20210604_000410__IMG0057_ff.jpg?v=1627641523"},{"product_id":"fliese-und-fuge-tile-and-joint-baden-metro-shop","title":"Fliese und Fuge – Tile and Joint. Baden. Metro Shop","description":"\u003cp\u003e[produkt_tabelle]\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003ch1\u003e\u003cem\u003eFliese und Fuge – Tile and Joint. Baden. Metro Shop\u003c\/em\u003e\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSeries:\u003c\/td\u003e\n\u003ctd\u003e[r]Kunst und Bau[\/r] number\u0026nbsp;9\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eArtist:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp\u003e[k]Veronika Spierenburg[\/k]\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEditor:\u003c\/td\u003e\n\u003ctd\u003eVera Ida Müller\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear:\u003c\/td\u003e\n\u003ctd\u003e2020\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003ePublication; booklet: 10 pages, 24.5\u0026nbsp;×\u0026nbsp;16.5\u0026nbsp;cm \/ Poster: 98\u0026nbsp;×\u0026nbsp;66\u0026nbsp;cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eText:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp class=\"p1\"\u003eEvelyn Steiner\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eLanguage:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp class=\"p1\"\u003eGerman, English\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eDesign:\u003c\/td\u003e\n\u003ctd\u003eKrispin Heé, Samuel Bänziger\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN:\u003c\/td\u003e\n\u003ctd\u003e978-3-907112-33-5\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePrice:\u003c\/td\u003e\n\u003ctd\u003e[preis]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e[\/produkt_tabelle] [produkt_text]\u003c\/p\u003e\n\u003cp\u003eThe series \u003cem\u003eKunst und Bau\u003c\/em\u003e (Art and Building) began in 2014. It gives a platform to selected artistic projects that were realised in connection with architecture or in public space. Although the contexts change, the format always remains the same and consists of a folding booklet and a poster. \nFor a wall in the Metro Shop (shopping arcade and transit location) in Baden, Veronika Spierenburg developed a site-specific intervention in the form of a picture puzzle\u0026nbsp;made from ceramic tiles. \u003c\/p\u003e\n\u003cp\u003e[\/produkt_text]\u003c\/p\u003e","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40354149859516,"sku":"0123-P","price":5.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/Postkarte-No9.jpg?v=1635177165"},{"product_id":"20-wasserungen-eines-kajaks-im-roschtige-hund-aarau","title":"20 Wasserungen eines Kajaks im roschtige Hund, Aarau","description":"\u003cp\u003e[produkt_tabelle]\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003ch1\u003e\u003cem\u003e20 Wasserungen eines Kajaks im roschtige Hund, Aarau\u003c\/em\u003e\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eArtist:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp\u003e[k]Roman Signer[\/k]\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e Editor:\u003c\/td\u003e\n\u003ctd\u003eCarlo Mettauer, Peter Zimmermann\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear:\u003c\/td\u003e\n\u003ctd\u003e2020\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003ePublication; 60 pages, 24\u0026nbsp;×\u0026nbsp;17\u0026nbsp;cm, thread stitching, brochure\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eText:\u003c\/td\u003e\n\u003ctd\u003eCarlo Mettauer, Rachel Withers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLanguage:\u003c\/td\u003e\n\u003ctd\u003eGerman\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eDesign:\u003c\/td\u003e\n\u003ctd\u003ePeter Zimmermann\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN:\u003c\/td\u003e\n\u003ctd\u003e978-3-907112-28-1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePrice:\u003c\/td\u003e\n\u003ctd\u003e[preis]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n[\/produkt_tabelle] [produkt_text]\n\u003cp\u003eRoman Signer's kayak has hit the water in the Swiss town of Aarau every May since 1999. For this occasion, the town brook is shut off from the transverse ditch wall in the afternoon. The caretaker fetches the kayak from the attic of the Landjägerwachthaus (old gendarme’s guardhouse) and places it in the water channel attached to a steel cable. Carlo Mettauer then gives a festive speech as representative of the local citizens. After a piece of music is played, an employee of the local citizens signals to the work yard representative, who opens a slide valve above the gutter. After a time, the water pours into the channel with a strong jet and makes the kayak dance on the spray.\u003c\/p\u003e\n\u003cp\u003eThis publication documents the 20 invitation cards and posters that have been produced for this work in recent years.\nA publication about a long-term artistic idea, adventurous actions and a sense of community.\u003c\/p\u003e[\/produkt_text]","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40354210939068,"sku":"0122-P","price":25.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/Roman-Signer---20-Wasserungen-eines-Kajaks_01.jpg?v=1627641482"},{"product_id":"skonogramme","title":"Skonogramme","description":"\u003cp\u003e[produkt_tabelle]\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003ch1\u003e\u003cem\u003eSkonogramme\u003c\/em\u003e\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eArtist:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp\u003e[k]Lorenz Olivier Schmid[\/k]\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear:\u003c\/td\u003e\n\u003ctd\u003e2020\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003ePublication; 99 pages, 32\u0026nbsp;×\u0026nbsp;23.7\u0026nbsp;cm, softcover with flaps and cloth cover, thread stitching\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eText:\u003c\/td\u003e\n\u003ctd\u003eAnne Mueller von der Haegen, Georges Didi-Huberman, Isabel Zürcher\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLanguage:\u003c\/td\u003e\n\u003ctd\u003eGerman, French\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eDesign:\u003c\/td\u003e\n\u003ctd\u003eClaudio Barandun\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN:\u003c\/td\u003e\n\u003ctd\u003e978-3-907112-31-1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePrice:\u003c\/td\u003e\n\u003ctd\u003e[preis]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n[\/produkt_tabelle] [produkt_text]\n\u003cp\u003eLorenz Olivier Schmid's publication shines a light on the dusty legacy of glass-framed dried flowers and butterflies. She makes extremely fine images of entomological curiosities visible, which otherwise remain hidden to the naked eye.\u003c\/p\u003e\n\u003cp\u003eThe artist has collected framed objects over the years, on whose glass an object or drawing may have left traces. \"For years, even decades, the constant pressure of some metal clamps had an effect on the strange specimens behind the glass. This pressure transfers traces of grease and particles, and not only allows dust to reach the edges, but also keeps the essence in the frame. In some cases, moths have also left additional spoors. And all these traces were left behind on the glass as a barely visible, thin mouldy film. I christened this long printing process skonography, in reference to the ancient Greek word for dust, skoné.\"\u003c\/p\u003e\n\u003cp\u003eWith two German and one French text by Anne Mueller von der Haegen (D), Georges Didi-Huberman (F) and Isabel Zürcher (CH), \u003cem\u003eSkonogramme\u003c\/em\u003e not only offers enigmatic visual worlds but also stimulating reading pleasure.\u003c\/p\u003e\n[\/produkt_text]","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40354571747516,"sku":"0121-P","price":55.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/01_20210603_221421__IMG0020_ff.jpg?v=1627641470"},{"product_id":"skonogramme-1","title":"Special edition from Skonogramme","description":"\u003cp\u003e[produkt_tabelle]\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003ch1\u003eSpecial edition of the publication\u0026nbsp;\u003cem\u003eSkonogramme\u003c\/em\u003e\n\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eArtist:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp\u003e[k]Lorenz Olivier Schmid[\/k]\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear:\u003c\/td\u003e\n\u003ctd\u003e2020\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003eSpecial edition; publication and photography: 32\u0026nbsp;×\u0026nbsp;40\u0026nbsp;cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition:\u003c\/td\u003e\n\u003ctd\u003e1\/15–15\/15, numbered and signed\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e[\/produkt_tabelle]\u003c\/p\u003e","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40354623717564,"sku":"0024-VA","price":0.0,"currency_code":"CHF","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/Lorenz_o_Schmid_Skonogramme_Sonderausgabe.jpg?v=1637005844"},{"product_id":"helmi-vent-lab-inter-arts-einblicke-in-das-performance-labor-hatte-hatte-fahrradkette","title":"Helmi Vent – Lab Inter Arts. Einblicke in das Performance-Labor «Hätte Hätte Fahrradkette»","description":"\u003cp\u003e[produkt_tabelle]\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003ch1\u003e\u003cem\u003eHelmi Vent – Lab Inter Arts. Einblicke in das Performance-Labor «Hätte Hätte Fahrradkette»\u003c\/em\u003e\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eArtist:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp\u003e[k]Karin Mairitsch[\/k]\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear:\u003c\/td\u003e\n\u003ctd\u003e2020\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003ePublication; 280 pages, 24.5\u0026nbsp;×\u0026nbsp;16.5\u0026nbsp;cm, softcover, thread stitching, brochure\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eText:\u003c\/td\u003e\n\u003ctd\u003eKarin Mairitsch\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLanguage:\u003c\/td\u003e\n\u003ctd\u003e German, English\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eDesign:\u003c\/td\u003e\n\u003ctd\u003eKarin Mairitsch\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN:\u003c\/td\u003e\n\u003ctd\u003e978-3-907112-25-0\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePrice:\u003c\/td\u003e\n\u003ctd\u003e[preis]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n[\/produkt_tabelle] [produkt_text]\n\u003cp\u003eThis book provides an insight into the process-oriented concept and practices of the \u003cem\u003eLab Inter Arts\u003c\/em\u003e, headed by Helmi Vent It refers to the filmic documentation of the performance lab «Hätte Hätte Fahrradkette» (shoulda woulda coulda), which was accessible by QR code; a cross-university project held event in Salzburg, Austria, in the 2015\/16 winter semester.\u003cbr\u003e\nIn the book, vocal and bodily sounds meet with improvisations, compositions, texts, wanderings and weavings, accompanied by film stills and voices by the project participants. These are in turn intermixed with thoughts on 'coulda woulda' and on the overarching concerns of the (life) lab work\u003c\/p\u003e\n\u003cp\u003eWith this book about the concrete performance lab, author Karin Mairitsch has succeeded in creating an artistically explorative reflection on art, art education and life in Helmi Vent's Lab Inter Arts. By employing artistic means for the design, Mairitsch has developed an independent approach that transforms Vent's special way of working into book form.\n\u003c\/p\u003e\n[\/produkt_text]","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40354667593916,"sku":"0120-P","price":33.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/Helmi-Vent---Lab-Inter-Arts_01.jpg?v=1627641367"},{"product_id":"becoming-siren-september-1940-may-1941","title":"Becoming Siren (September 1940–May 1941)","description":"\u003cp\u003e[produkt_tabelle]\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003ch1\u003e\u003cem\u003eBecoming Siren (September 1940–May 1941)\u003c\/em\u003e\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eArtist:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp\u003e[k]Alexandra Hopf[\/k]\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear:\u003c\/td\u003e\n\u003ctd\u003e2020\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003ePublication; 104 pages, 27\u0026nbsp;×\u0026nbsp;21\u0026nbsp;cm, softcover embossed, thread stitching, brochure\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eText:\u003c\/td\u003e\n\u003ctd\u003eSilke Ballath, Alexandra Hopf, Rosanna McNamara\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLanguage:\u003c\/td\u003e\n\u003ctd\u003eEnglish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eDesign:\u003c\/td\u003e\n\u003ctd\u003eBook Book\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN:\u003c\/td\u003e\n\u003ctd\u003e978-3-907112-34-2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePrice:\u003c\/td\u003e\n\u003ctd\u003e[preis]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e[\/produkt_tabelle] [produkt_text]\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBecoming Siren\u003c\/em\u003e links the cultural history of the Siren with the story of the legendary ‘siren suit’, an overall worn by women in England during World War II. This suit was also worn by the dancers of the eponymous performance group ‘The Sirens’.  Performing in bunkers and underground shelters during the Blitzkrieg, they developed a choreography that transformed the state of emergency into a rite of passage. Within this narrative, a space unfurls for a utopian social moment in which gender polarities and class differences dissolve.\u003c\/p\u003e\n\u003cp\u003eHistorical texts of animal and human camouflage behaviour, which depict how boundaries between subject and object dissolve, as well as ideas about the cyborg inspired by science theorist Donna Haraway are taken up in essays and poetic reflections. The anthology jumps back and forth in terms of time and content; the resulting gaps create spaces for new readings. The historical source material and the reconstructed scene images of the dance make visible not only how multifaceted the mythological Siren is, but also how she has empowered herself after centuries of her myth being appropriated.\u003c\/p\u003e\n\u003cp\u003eInterview: \u003ca href=\"https:\/\/www.dropbox.com\/s\/aqzgxtygwm4kojv\/20210706_Interview_D.pdf?dl=0\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eJulia M. Strauß im Gespräch mit Alexandra Hopf\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e[\/produkt_text]\u003c\/p\u003e","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40354749939900,"sku":"0119-P","price":41.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/01_20210603_234540__IMG0041_ff.jpg?v=1627641337"},{"product_id":"radschlagen-fer-la-rouda-do-cartwheels","title":"radschlagen – fer la rouda – do cartwheels","description":"[produkt_tabelle]\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003ch1\u003e\u003cem\u003eradschlagen – fer la rouda – do cartwheels\u003c\/em\u003e\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eArtist:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp\u003e[k]Daniela Keiser[\/k]\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e Editor:\u003c\/td\u003e\n\u003ctd\u003eRuedi Bechtler\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear:\u003c\/td\u003e\n\u003ctd\u003e2020\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003ePublication; 144 pages, 9.9\u0026nbsp;×\u0026nbsp;15.7\u0026nbsp;cm, softcover, perfect binding, edge colouring \u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eLanguage:\u003c\/td\u003e\n\u003ctd\u003eGerman, English, Puter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDesign:\u003c\/td\u003e\n\u003ctd\u003eRomy Strasser\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN:\u003c\/td\u003e\n\u003ctd\u003e978-3-907112-24-3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePrice:\u003c\/td\u003e\n\u003ctd\u003e[preis]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n[\/produkt_tabelle] [produkt_text]\u003cp\u003eIn 2016, artist Daniela Keiser challenged primary school children from Zuoz to perform cartwheels in the long, red-carpeted corridors of the Hotel Castell. The special thing about these corridors are the double wing doors, which become optical blinds that have an influence on the video stills. A flipbook was created from individual cinematic images and moments. Daniela Keiser sees cartwheeling as movement, play and a change of perspective. When doing cartwheels, the child leaves the solid ground – the world turns upside down, the child spins around itself – to land on the ground again, which is now a new, self-won ground.\u003c\/p\u003e\n\u003cp\u003eThis project was realised at the Hotel Castell in Zuoz and is presented in the book as a flip book. \u003c\/p\u003e\n[\/produkt_text]","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40354832089276,"sku":"0118-P","price":15.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/Radschlagen_01.jpg?v=1627641315"},{"product_id":"unter-blumen-regula-engeler-fotografien-wen-tingyun-worte-raffael-keller-ubertragung","title":"Unter Blumen. Regula Engeler Fotografien, Wen Tingyun Worte, Raffael Keller Übertragung","description":"\u003cp\u003e[produkt_tabelle]\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003ch1\u003e\u003cem\u003eUnter Blumen. Regula Engeler Fotografien, Wen Tingyun Worte, Raffael Keller Übertragung\u003c\/em\u003e\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eArtist:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp\u003e[k]Regula Engeler[\/k]\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear:\u003c\/td\u003e\n\u003ctd\u003e2020\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003ePublication; 84 pages, 22.6\u0026nbsp;×\u0026nbsp;15\u0026nbsp;cm, softcover with open spine, thread stitching, banderole\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eText:\u003c\/td\u003e\n\u003ctd\u003eWen Tingyun (Worte), Raffael Keller (Übertragung)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLanguage:\u003c\/td\u003e\n\u003ctd\u003eGerman\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eDesign:\u003c\/td\u003e\n\u003ctd\u003eGaston Isoz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN:\u003c\/td\u003e\n\u003ctd\u003e978-3-907112-26-7\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePrice:\u003c\/td\u003e\n\u003ctd\u003e[preis]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e[\/produkt_tabelle] [produkt_text]\u003c\/p\u003e\n\u003cp\u003eThis book project combines contemporary photography with Chinese love poetry from the nineth century. The poems of Wen Tingyun, which are as paired down as they are substantial, and which Raffael Keller has brilliantly translated into German, meet the equally poetic and abstract photographs of Regula Engeler. \nImage and text enter into a dialogue across temporal and cultural barriers and illustrate the boundless qualities of art. In doing so, the booklet explores new means of artistic encounter between East and West.\u003c\/p\u003e\n\u003cp\u003e[\/produkt_text]\u003c\/p\u003e","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40354885075132,"sku":"0117-P","price":28.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/Unter-Blumen_01.jpg?v=1627641289"},{"product_id":"but-nature-is-a-stranger-yet","title":"Special edition But nature is a stranger yet from Unter Blumen","description":"\u003cp\u003e[produkt_tabelle]\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003ch1\u003eSpecial edition \u003cem\u003eBut nature is a stranger yet\u003c\/em\u003e of the publication\u0026nbsp;\u003cem\u003eUnter Blumen\u003c\/em\u003e\n\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eArtist:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp\u003e[k]Regula Engeler[\/k]\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear:\u003c\/td\u003e\n\u003ctd\u003e2020\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003eSpecial edition; publication Unter Blumen and 5-part photo series: each 35\u0026nbsp;cm\u0026nbsp;×\u0026nbsp;26,5\u0026nbsp;cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition:\u003c\/td\u003e\n\u003ctd\u003e1\/7–7\/7, numbered and signed\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e[\/produkt_tabelle]\u003c\/p\u003e","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40354936586428,"sku":"0023-VA","price":0.0,"currency_code":"CHF","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/Engeler_Regula1.jpg?v=1637006194"},{"product_id":"ricochet","title":"Ricochet","description":"\u003cp\u003e[produkt_tabelle]\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003ch1\u003e\u003cem\u003eRicochet\u003c\/em\u003e\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSeries:\u003c\/td\u003e\n\u003ctd\u003e[r]Werk-Buch \/ Œuvre d’artiste 2019\u003cbr\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e[\/r]\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eArtist:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp\u003e[k]Rudolf Steiner[\/k]\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEditor:\u003c\/td\u003e\n\u003ctd\u003eKanton Bern\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear:\u003c\/td\u003e\n\u003ctd\u003e2020\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003ePublication; 264 pages, 33.3\u0026nbsp;×\u0026nbsp;24.5\u0026nbsp;cm, hardcover with embossing, thread stitching\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eText:\u003c\/td\u003e\n\u003ctd\u003eTrmasan Bruialesi\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLanguage:\u003c\/td\u003e\n\u003ctd\u003eEnglish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eDesign:\u003c\/td\u003e\n\u003ctd\u003esuperbüro\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN:\u003c\/td\u003e\n\u003ctd\u003e978-3-907112-23-6\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePrice:\u003c\/td\u003e\n\u003ctd\u003e[preis]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n[\/produkt_tabelle] [produkt_text]\u003cp\u003eWith his photo series \u003cem\u003eRicochet\u003c\/em\u003e, which he began in 2013, Rudolf Steiner navigates the fine line between romantically glorified images of nature and the depiction of a wounded landscape. Ricochet collects pictures taken in the surroundings of Biel\/Bienne and Rondchâtel. These pictures do not strive for a truth of nature or landscape, however designed they may be, but they are, at their core, a kind of collaborative effort with nature due to the chosen shooting process.\u003c\/p\u003e\n\u003cp\u003eThe photographs are taken with a camera robot on which a camera takes hundreds of individual shots of a motif; these are later combined into a single image on the computer by a stitching program. Since the lighting conditions can change drastically during the long recording time of between 10 and 30 minutes and meteorological influences such as wind, fog, snow and rain also play a role, the image result can only be controlled or predicted to a limited extent. In addition, errors can occur during stitching that influence the result. These influences and sources of error result in unusual images in which the boundaries of conventional photography dissolve and expand.\u003c\/p\u003e[\/produkt_text]","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40355001106620,"sku":"0116-P","price":58.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/01_20210603_221550__IMG0023_ff.jpg?v=1627641262"},{"product_id":"vonrutte6","title":"Special edition from #vonRütte6","description":"\u003cp\u003e[produkt_tabelle]\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003ch1\u003eSpecial edition \u003cem\u003e#vonRütte6\u003c\/em\u003e of the publication\u0026nbsp;\u003cem\u003eRicochet\u003c\/em\u003e\n\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eArtist:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp\u003e[k]Rudolf Steiner[\/k]\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear:\u003c\/td\u003e\n\u003ctd\u003e2020\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003eSpecial edition; publication Ricochet with enclosed photograph: 31\u0026nbsp;×\u0026nbsp;22\u0026nbsp;cm, fine art print on Photo Rag Baryta, 315 g\u003cbr\u003e\nEdition: 1\/9-9\/9, numbered and signed\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition:\u003c\/td\u003e\n\u003ctd\u003e1\/9–9\/9 nummeriert und signiert\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e[\/produkt_tabelle]\u003c\/p\u003e","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40355115368636,"sku":"0022-VA","price":0.0,"currency_code":"CHF","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/Rudolf-Steiner.jpg?v=1637005766"},{"product_id":"wirziana-die-andere-welt-des-peter-wirz","title":"Wirziana. Die andere Welt des Peter Wirz","description":"\u003cp\u003e[produkt_tabelle]\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003ch1\u003e\u003cem\u003eWirziana. Die andere Welt des Peter Wirz\u003c\/em\u003e\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eArtist:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp\u003e[k]Peter Wirz[\/k]\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEditor:\u003c\/td\u003e\n\u003ctd\u003eAndres Müry\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear:\u003c\/td\u003e\n\u003ctd\u003e2020\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003ePublication; 260 pages, 33\u0026nbsp;×\u0026nbsp;24\u0026nbsp;cm, softcover, dust jacket, thread stitching\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eText:\u003c\/td\u003e\n\u003ctd\u003eAndres Müry\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLanguage:\u003c\/td\u003e\n\u003ctd\u003eGerman\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eDesign:\u003c\/td\u003e\n\u003ctd\u003eBureau Dillier\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN:\u003c\/td\u003e\n\u003ctd\u003e978-3-907112-16-8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePrice:\u003c\/td\u003e\n\u003ctd\u003e[preis]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n[\/produkt_tabelle] [produkt_text]\n\u003cp\u003eHis drawings have titles like \u003cem\u003eDer Drohfinger Gottes\u003c\/em\u003e (The Threatening Finger of God) or \u003cem\u003eDie Züchtigung\u003c\/em\u003e, \u003cem\u003eDie Todestreppe\u003c\/em\u003e (The Chastisement, Stairway to Death) or \u003cem\u003eWie Du mir – so ich Dir\u003c\/em\u003e (Tit for Tat). Born in Zurich in 1915 as the son of the soon-to-be-famous New Guinea researcher Paul Wirz, fear and violence accompanied Peter Wirz from an early age. Raised by pietistic aunts in Basel, sent off to homes and farms because of ‘abnormality’, committed as a ‘psychopath’ and finally castrated, he lived the inconspicuous life of a gardener's assistant and died in Basel in 2000. From the 1940s onwards, he created his artistic oeuvre in secret as a self-taught artist; it comprised around 700 colour pencil drawings in A4 format, complete with explanatory texts. He invented his own style derived from Christian occidental heraldry and refashioned two themes in particular with the body at the centre: love, which he never knew, and punishment, which he knew very well indeed. The wondrous body of work, which unites beauty and horror, would have remained undiscovered, had it not been for the Basel-based artist Dadi Wirz, Peter’s half-brother, who has been collecting it since the 1970s and has occasionally placed it in group art brut exhibitions.\u003c\/p\u003e\n\u003cp\u003eThe Basel author Andres Müry, a nephew of the artist, now presents a comprehensive view of his life and work in the monograph \u003cem\u003eWirziana\u003c\/em\u003e. \u003cem\u003eDie andere Welt des Peter Wirz\u003c\/em\u003e (Wirziana. The Other World of Peter Wirz) for the first time. 55 full-size colour plates, a selection of texts and sketches as well as photographs and other documents of his life accompany his essay \u003cem\u003eDer Kontinent Wirziana\u003c\/em\u003e (The Continent of Wirziana) In her contribution, art historian Monika Jagfeld, director of the St. Gallen Museum im Lagerhaus, situates the work in the context of art brut and outsider art.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tolookat.de\/revival-einer-individuellen-mythologie\/\" target=\"_blank\"\u003etoLookAt, Oktober 20, \"Revival einer individuellen Mythologie\" von Viola Hildebrand Schat\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/faustkultur.de\/4407-0-Die-Bildwelt-des-Art-brut-Kuenstlers-Peter-Wirz.html\" target=\"_blank\"\u003eEin Kreuzweg von Michael Eberth, faust-kultur\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/files\/Wirziana-Zeitungsartikel.pdf?v=1626987511\" target=\"_blank\"\u003ePaläste des Schmerzes, der Tagesspiegel\u003c\/a\u003e\u003c\/p\u003e\n[\/produkt_text]","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40355154854076,"sku":"0115-P","price":48.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/Die-andere-Welt-des-Peter-Wirz_01.jpg?v=1627641247"},{"product_id":"transformieren-und-weiterbauen-rezepte-und-ausgewahlte-bauten-von-moos-giuliani-herrmann-architekten-1995-2020","title":"transformieren und weiterbauen. Rezepte und ausgewählte Bauten von moos. giuliani. herrmann. architekten. 1995–2020","description":"\u003cp\u003e[produkt_tabelle]\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003ch1\u003e\u003cem\u003etransformieren und weiterbauen. Rezepte und ausgewählte Bauten von moos. giuliani. herrmann. architekten. 1995–2020\u003c\/em\u003e\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eArtists:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp\u003e[k]\u003cspan data-mce-fragment=\"1\" class=\"s1\"\u003eRoger Moos,\u0026nbsp;\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"s1\"\u003eRoman Giuliani,\u0026nbsp;\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"s1\"\u003eChristian Herrmann\u003c\/span\u003e[\/k]\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear:\u003c\/td\u003e\n\u003ctd\u003e2020\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003ePublication; 240 pages, 25\u0026nbsp;cm\u0026nbsp;×\u0026nbsp;19\u0026nbsp;cm, softcover, thread stitching\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eText:\u003c\/td\u003e\n\u003ctd\u003eRoger Moos, Roman Giuliani, Christian Herrmann, Marco Brunner, Beatrice Sendner, Ruggero Tropeano\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLanguage:\u003c\/td\u003e\n\u003ctd\u003eGerman\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eDesign:\u003c\/td\u003e\n\u003ctd\u003eKaspar Thalmann\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN:\u003c\/td\u003e\n\u003ctd\u003e978-3-907112-17-5\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePrice:\u003c\/td\u003e\n\u003ctd\u003e[preis]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e[\/produkt_tabelle] [produkt_text]\u003c\/p\u003e\n\u003cp\u003eThe collaboration between Roger Moos, Roman Giuliani and Christian Herrmann began in 1995 in the form of small-scale conversions. Building on their training at the Technikum Winterthur (now the School of Engineering at the\u0026nbsp;ZHAW Zurich University of Applied Sciences), the architects used their building knowledge and architectural understanding to preserve the substance of existing industrial buildings and to develop them further for new uses. The documentation of 25 years of construction activity serves as a guideline for employees and as a stimulus for thought and discussion for professional colleagues, authorities and developers in dealing with the subject of continued building.\u003c\/p\u003e\n\u003cp\u003eFor the publication, the architects' collective took a critical look back at its work to date and summarised recurring themes and characteristics of its working methods in the form of five formulas. Using ten selected projects as a basis, which are photographed in detail and documented with plans, the specific working methods of the collective are laid bare.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.tagblatt.ch\/kultur\/umbauen-statt-abreissen-diessenhofener-architekturbuero-liefert-fuenf-rezepte-fuer-einen-verantwortungsvollen-umgang-mit-altbauten-ld.1215451\" target=\"_blank\"\u003e\u003cem\u003eUmbauen statt abreissen: Diessenhofener Architekturbüro liefert fünf Rezepte für einen verantwortungsvollen Umgang mit Altbauten\u003c\/em\u003e, St. Galler Tagblatt\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e[\/produkt_text]\u003c\/p\u003e","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40355230286012,"sku":"0114-P","price":48.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/transformieren-und-weiterbauen_01.jpg?v=1627641217"},{"product_id":"die-poesie-des-fremden","title":"Die Poesie des Fremden","description":"\u003cp\u003e[produkt_tabelle]\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003ch1\u003e\u003cem\u003eDie Poesie des Fremden\u003c\/em\u003e\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eArtist:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp\u003e[k]Karin Mairitsch[\/k]\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear:\u003c\/td\u003e\n\u003ctd\u003e2020\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003ePublication; 64 pages, 27\u0026nbsp;cm\u0026nbsp;×\u0026nbsp;20.5\u0026nbsp;cm, original revised pages, lead type, softcover, thread stitching, cloth bage\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition:\u003c\/td\u003e\n\u003ctd\u003e1\/200–200\/200, signed\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eText:\u003c\/td\u003e\n\u003ctd\u003eWalter Tschopp, Heinz Stahlhut\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLanguage:\u003c\/td\u003e\n\u003ctd\u003eGerman, English, Turkish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eDesign:\u003c\/td\u003e\n\u003ctd\u003eKarin Mairitsch\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN:\u003c\/td\u003e\n\u003ctd\u003e978-3-907112-18-2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePrice:\u003c\/td\u003e\n\u003ctd\u003e[preis]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n[\/produkt_tabelle] [produkt_text]\n\u003cp\u003eThe publication \u003cem\u003eDie Poesie des Fremden\u003c\/em\u003e (The Poetry of the Stranger) provides artistic, informative and unusual insights into current and historical relations between Turkey and Austria and Switzerland. The artist reflects critically on the condition of being a stranger, placing the common before what separates, the poetic before what divides and the accepting before that which robs. \n\u003cbr\u003eThe publication is an extraordinary artistic object and a sensual, poetic experience: Since the sheets are unique pieces, each copy is one-of-its-kind; Karin Mairitsch made these in parallel to the work on her pieces for the exhibition series of the same name. They were printed in lead type. The cloth bags in which the catalogue is packed are also unique pieces; these were printed and sewn by hand on floral motif fabrics from Turkey. \u003c\/p\u003e\n[\/produkt_text]","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40355321938108,"sku":"0113-P","price":90.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/Die-Poesie-des-Fremden_01.jpg?v=1627641193"},{"product_id":"landscape-1-institute-for-land-and-environmental-art","title":"Landscape #1. Institute for Land and Environmental Art","description":"\u003cp\u003e[produkt_tabelle]\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003ch1\u003e\u003cem\u003eLandscape #1. Institute for Land and Environmental Art\u003c\/em\u003e\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSeries:\u003c\/td\u003e\n\u003ctd\u003e[r]ILEA[\/r]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eArtists:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp\u003e[k]Various[\/k] (Lita Albuquerque, Ueli Alder, Atelier für Sonderaufgaben, Paul Barsch \u0026 Tilman Hornig, Bildstein | Glatz, Mirja Busch, Delphine Chapuis Schmitz, Com\u0026Com, DIG Collective, Les Frères Chapuisat, H.R. Fricker, Gabriela Gerber \/ Lukas Bardill, Bob Gramsma, Marianne Halter \u0026 Mario Marchisella, Jaffa Lam, Ingeborg Lüscher, Filippo Minelli, Raumlabor, Steve Rowell, Analia Saban, Roman Signer u. a.)\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEditor:\u003c\/td\u003e\n\u003ctd\u003eJohannes M. Hedinger, Hanna B. Hölling\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear:\u003c\/td\u003e\n\u003ctd\u003e2020\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003ePublication; 288 pages, 16\u0026nbsp;×\u0026nbsp;24\u0026nbsp;cm, softcover, thread stitching, brochure\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eText:\u003c\/td\u003e\n\u003ctd\u003eAufdi Aufdermauer, Delphine Chapuis Schmitz, William L. Fox, Johannes M. Hedinger, Hanna B. Hölling, Mattli Hunger, Sibylle Omlin, Janis Osolin, Lukas Ott, Jano Felice Pajarola, Jolanda Rechsteiner, Emily Eliza Scott, Chris Taylor, Lucie Tuma\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLanguage:\u003c\/td\u003e\n\u003ctd\u003eGerman, English\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eDesign:\u003c\/td\u003e\n\u003ctd\u003eAlltag Agentur (Philip Bührer, Janine Lorenz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN:\u003c\/td\u003e\n\u003ctd\u003e978-3-909090-94-5\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePrice:\u003c\/td\u003e\n\u003ctd\u003e[preis]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e[\/produkt_tabelle] [produkt_text]\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLandscape #1\u003c\/em\u003e is a publication series edited by Johannes M. Hedinger and Hanna Hölling for the Institute for Land and Environmental Art (ILEA); it explores the theory, history, and recent trends of art in peripheral, rural, and alpine landscape zones. The publication is divided into three parts: DOSSIER contains a collection of texts that provide a theoretical and historical reflection on landscape. ESSAYS brings together essays, articles, interviews and artistic contributions from the Institute's network. The catalogue provides an overview of the Art Safiental outdoor biennial and the Alps Art Academy summer academies of 2016 and 2018.\u003c\/p\u003e\n\u003cp\u003e[\/produkt_text]\u003c\/p\u003e","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40355407233212,"sku":"0112-P","price":33.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/LANDSCAPE-_1_01.jpg?v=1627641184"},{"product_id":"this-book-is-yours-recipes-for-artistic-collaboration","title":"This Book is Yours. Recipes for artistic collaboration","description":"\u003cp\u003e[produkt_tabelle]\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003ch1\u003e\u003cem\u003eThis Book is Yours. Recipes for artistic collaboration\u003c\/em\u003e\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eArtists:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp\u003e[k]Various[\/k]\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEditor:\u003c\/td\u003e\n\u003ctd\u003eSally de Kunst, Julien Babel, Alberto de Andrés, Valentine Paley, Gosie Vervloessem, Julien Vuilleumier\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear:\u003c\/td\u003e\n\u003ctd\u003e2019\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003ePublication; 334 pages, 23\u0026nbsp;×\u0026nbsp;16,2\u0026nbsp;cm, softcover, thread stitching, broschure\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eText:\u003c\/td\u003e\n\u003ctd\u003eVarious\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLanguage:\u003c\/td\u003e\n\u003ctd\u003eGerman, English\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eDesign:\u003c\/td\u003e\n\u003ctd\u003ekarakter (Milena Farioli)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN:\u003c\/td\u003e\n\u003ctd\u003e978-3-907112-09-0\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePrice:\u003c\/td\u003e\n\u003ctd\u003e[preis]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n[\/produkt_tabelle] [produkt_text]\n\u003cp\u003eIn a house where several people live and work together, the kitchen is the hub: it is the meeting place where people engage in informal discourse. This is also the case with the Arc Artist Residency in Romainmôtier: the kitchen was the beating heart of the institution. It was a place where artists gathered when they took a break from their research, where they cooked and ate together, where other guests joined them. This book is inspired by the kitchen, by its conviviality, the sharing of food and knowledge, the experiments that took place there.\u003c\/p\u003e\n\u003cp\u003eThis book covers a period of four years in the life of the Arc Artist Residency – a institution of the Migros Culture Percentage – from January 2015 to December 2018, under the direction of Sally De Kunst. During this time, Arc continually reinvented itself, constantly questioning the idea of a residency as an arts institution from the inside and out, challenging values, experimenting with new ways of working together and questioning socio-cultural ecology. The Arc was more than just a chronology of artists in residence, projects or research pathways – it was a breathing organism, an experience of living and working together, a community of plural practice created by artists, experts and other guests, an ecosystem in which the sharing of research was an integral part of the research itself. The editors would like this book to pass on the experience and knowledge gained during this time to a wider audience.\u003c\/p\u003e\n\u003cp\u003eThis publication is a handbook for artistic collaboration. It is neither a retrospective of Arc nor a documentation of the artistic projects that took place there. \n\u003c\/p\u003e\n[\/produkt_text]","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40355513630908,"sku":"0111-P","price":30.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/This-Book-Is-Yours_01.jpg?v=1627641145"},{"product_id":"nomaden","title":"Nomaden","description":"\u003cp\u003e[produkt_tabelle]\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003ch1\u003e\u003cem\u003eNomaden\u003c\/em\u003e\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSeries:\u003c\/td\u003e\n\u003ctd\u003e[r]Werk-Buch \/ Œuvre d’artiste[\/r]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eArtist:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp\u003e[k]Lisa Hoever[\/k]\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e Editor:\u003c\/td\u003e\n\u003ctd\u003eKanton Bern\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear:\u003c\/td\u003e\n\u003ctd\u003e2019\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003ePublication; 112 pages, 32\u0026nbsp;×\u0026nbsp;23.7\u0026nbsp;cm, softcover, thread stitching\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eText:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp class=\"p1\"\u003eMichel Mettler\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eLanguage:\u003cbr\u003e\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp class=\"p1\"\u003eGerman\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eDesign:\u003c\/td\u003e\n\u003ctd\u003eFranziska Schott and Marco Schibig\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN:\u003c\/td\u003e\n\u003ctd\u003e978-3-907112-11-3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePrice:\u003c\/td\u003e\n\u003ctd\u003e[preis]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n[\/produkt_tabelle] [produkt_text]\n\u003cp\u003eThis artist's book celebrates the themes of colour and the flow of paint. Artist Lisa Hoever is known for her large-scale paintings. In this book, she presents a series of new watercolours in handy formats, which were mainly created in Greece. She developed her own technique by letting paint flow freely by turning the sheet of paper. This causes colours to run into one another and creates trails, structures and constantly surprising pictorial inventions. The Swiss dramaturge, musician and writer Michel Mettler responds to the intense watercolours with condensed, pictorial poems on the themes of colour, colour pigments and their historical placing.\n\u003c\/p\u003e\n[\/produkt_text]","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40355595518140,"sku":"0110-P","price":48.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/Nomaden_01.jpg?v=1627641127"},{"product_id":"nomaden-0021-va","title":"Special edition from Nomaden","description":"\u003cp\u003e[produkt_tabelle]\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003ch1\u003eSpecial edition of the publication\u0026nbsp;\u003cem\u003eNomaden\u003c\/em\u003e\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eArtist:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp\u003e[k]Lisa Hoever[\/k]\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear:\u003c\/td\u003e\n\u003ctd\u003e2019\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003eSpecial edition; publication and original sheet (watercolour): 30.2\u0026nbsp;×\u0026nbsp;23.7\u0026nbsp;cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition:\u003c\/td\u003e\n\u003ctd\u003e1\/10–10\/10, numbered and signed\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e[\/produkt_tabelle]\u003c\/p\u003e","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40363809571004,"sku":"0021-VA","price":0.0,"currency_code":"CHF","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/Lisa-Hoever-2019--Editon-01.jpg?v=1635175650"},{"product_id":"geografie-der-freiheit-john-berger-projekt","title":"Geografie der Freiheit – John-Berger-Projekt","description":"\u003cp\u003e[produkt_tabelle]\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003ch1\u003e\u003cem\u003eGeografie der Freiheit – John-Berger-Projekt\u003c\/em\u003e\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eArtists:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp\u003e[k]Various[\/k] (Karin Karinna Bühler, Annina Frehner, Hans Jörg Geiger, Claudia Kübler, Alfred Matzig-Ruiz, Josef Felix Müller, Vera Ida Müller, Lika Nüssli, Ute Schendel, Katja Schenker, Andrea Vogel, Peter Wirz)\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEditor:\u003c\/td\u003e\n\u003ctd\u003eJosef Felix Müller\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear:\u003c\/td\u003e\n\u003ctd\u003e2019\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003ePublication; 240 pages, 27\u0026nbsp;×\u0026nbsp;19\u0026nbsp;cm, softcover with flaps, thread stitching\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eText:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp class=\"p1\"\u003eJohn Berger, Rolf Bossart, Bettina Dyttrich, Micha Friemel, Ben Moore, Josef Felix Müller, Andres Müry, Anna Papst, Vanessa Rüegger, Mathias W. Schmid, Isuf Sherifi, Bae Suah, Laura Vogt, Sarah Zürcher\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eLanguage:\u003cbr\u003e\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp class=\"p1\"\u003eGerman\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eDesign:\u003c\/td\u003e\n\u003ctd\u003eTGG Hafen (Senn Stieger)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN:\u003c\/td\u003e\n\u003ctd\u003e978-3-907112-19-9\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePrice:\u003c\/td\u003e\n\u003ctd\u003e[preis]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e[\/produkt_tabelle] [produkt_text]\u003c\/p\u003e\n\u003cp\u003e\"Across the planet we are living in a prison,\" wrote the British writer, painter, and art critic John Berger (1926-2017) in 2011 in his essay \u003cem\u003eFellow Prisoners\u003c\/em\u003e. In it, he describes humankind not only as a prisoner of itself, but also its imprisonment in a globalised society.\u003c\/p\u003e\n\u003cp\u003eFor the book project Geografie der Freiheit (Geography of Freedom) in 2019, Josef Felix Müller invited selected authors and artists to respond to Berger's radical essay. This resulted in philosophical, scientific and artistic contributions that explore the question of what forms of freedom exist and what they mean for us as humans.\u003c\/p\u003e\n\u003cp\u003e[\/produkt_text]\u003c\/p\u003e","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40363885363388,"sku":"0109-P","price":32.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/01_Geografie-der-Freiheit_01.jpg?v=1627641113"},{"product_id":"deceitful-habits-in-a-humans-soul","title":"Deceitful Habits in a Human’s Soul","description":"\u003cp\u003e[produkt_tabelle]\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003ch1\u003e\u003cem\u003eDeceitful Habits in a Human’s Soul\u003c\/em\u003e\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eArtists:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp\u003e[k]Michael Meier, Christoph Franz[\/k]\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEditor:\u003c\/td\u003e\n\u003ctd\u003e\u003cp\u003eMichael Meier \u0026 Christoph Franz, Art Collection of the Office of Planning and Architektur of the Canton of Zurich\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear:\u003c\/td\u003e\n\u003ctd\u003e2019\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003ePublication; 52 pages, 23.1\u0026nbsp;×\u0026nbsp;31\u0026nbsp;cm, softcover, stapled\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eText:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp class=\"p1\"\u003eAoife Rosenmeyer, Christian C. Ruff\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eLanguage:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp class=\"p1\"\u003eGerman, English, Italian\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003ePhotography:\u003c\/td\u003e\n\u003ctd\u003eSusanne Hefti, Michael Meier \u0026 Christoph Franz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDesign:\u003c\/td\u003e\n\u003ctd\u003eStudio Krispin Heé (Krispin Heé, Tim Wetter)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN:\u003c\/td\u003e\n\u003ctd\u003e978-3-907112-22-9\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePrice:\u003c\/td\u003e\n\u003ctd\u003e[preis]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e[\/produkt_tabelle] [produkt_text]\u003c\/p\u003e\n\u003cp\u003eIn the book, Aoife Rosenmeyer writes: The site-specific work \u003cem\u003eDeceitful Habits in a Human’s Soul\u003c\/em\u003e by Michael Meier \u0026 Christoph Franz is a fountain located in the of a new building designed by the architects Gunz \u0026 Künzle for the Institute for Banking and Finance of the University of Zurich on Plattenstrasse. \nThe work recreates elements from the Trevi Fountain – parts of Triton and a sea horse – newly cast from the metal of 10-cent coins thrown into the Roman fountain. The pair are embedded in the building's courtyard, with water flowing from the shell, into which Triton blows with inflated cheeks. Rising up from the narrow courtyard, they seem oversized and slightly absurd. But the work is tailor-made in this respect: the available percent-for-art budget defines how many of the Trevi coins can be bought at face value from the Roman Catholic Caritas to be melted down and reshaped: 8400 euros, to be exact, or 344.4 kg.\u003c\/p\u003e\n\u003cp\u003eThis publication \u003cem\u003eDeceitful Habits in a Human’s Soul\u003c\/em\u003e documents the process of working on this art-in-architecture project. It is contextualised by curator and critic Aoife Rosenmeyer and explored in depth by neuroscientist Christian C. Ruff. \u003c\/p\u003e\n\u003cp\u003e[\/produkt_text]\u003c\/p\u003e","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40365292224700,"sku":"0108-P","price":28.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/Deceitful-Habits-In-A-Human_s-Soul_01.jpg?v=1627641087"},{"product_id":"fritz-schedlers-spinatkanons-von-bo-wiget","title":"Fritz Schedlers Spinatkanons von Bo Wiget","description":"\u003cp\u003e[produkt_tabelle]\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003ch1\u003e\u003cem\u003eFritz Schedlers Spinatkanons von Bo Wiget\u003c\/em\u003e\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eArtist:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp\u003e[k]Bo Wiget[\/k]\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear:\u003c\/td\u003e\n\u003ctd\u003e2019\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003ePublication; 2 CDs, 64 loose sheets of music, 21.1\u0026nbsp;×\u0026nbsp;21.4\u0026nbsp;cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eText:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp class=\"p1\"\u003eBo Wiget\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eLanguage:\u003cbr\u003e\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp class=\"p1\"\u003eGerman\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eDesign:\u003c\/td\u003e\n\u003ctd\u003eStudio Krispin Heé (Krispin Heé, Tim Wetter)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN:\u003c\/td\u003e\n\u003ctd\u003e978-3-907112-21-2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePrice:\u003c\/td\u003e\n\u003ctd\u003e[preis]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n[\/produkt_tabelle] [produkt_text]\n\u003cp\u003eFritz Schedler was a composer who neither lived nor ever composed. Fritz Schedler was invented by Bo Wiget in 2013 for an oratorio about Lawrence Sterne's \u003cem\u003eTristram Shandy\u003c\/em\u003e. Since then, he has haunted Bo Wiget's study and occasionally gets him to write a canon on his behalf. This has been going on for some time, and has resulted, among other things, in large series of 64 canons on the theme of spinach. These are comprised of two- to seven-part contrapuntal miniatures: short mnemonic and absurd sayings set to music, all of which have something to do with the green vegetable, about which strange rumours have been growing: about its iron content, that it is very healthy or that it can become poisonous. The etymology of the word is a Proto-Indo-European word derived from \"pointy\", referring to the plant's pointy seeds.\u003c\/p\u003e\n\u003cp\u003eSpinach is now set to become a singing movement. The 64 canons are published as a songbook. It is presented as 64 loose sheets, which are very practical for singing together, in a slipcase. And so that those who enjoy singing but are not proficient in reading music can also participate, two CDs are included in the slipcase, on which about half of the canons are interpreted by very different people: classical musicians and musicians from the worlds of jazz, rock or experimental art, even people who simply sing a canon at the kitchen table are included.\u003c\/p\u003e\n\u003cp\u003eThe hope is for the idiosyncratic love of spinach and the passion for the anachronistic musical form of the canon to become a kind of musical social sculpture. May the publication inspire you to eat together and, above all, to sing together!\u003c\/p\u003e\n[\/produkt_text]","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40365339705532,"sku":"0107-P","price":38.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/Fritz-Schedlers-Spinatkanons-von-Bo-Wiget_01.jpg?v=1627641031"},{"product_id":"dig-a-pony","title":"Dig a Pony","description":"\u003cp\u003e[produkt_tabelle]\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003ch1\u003e\u003cem\u003eDig a Pony\u003c\/em\u003e\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSeries:\u003c\/td\u003e\n\u003ctd\u003e[r]Werk-Buch \/ Œuvre d’artiste[\/r]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eArtist:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp\u003e[k]Dominik Stauch[\/k]\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEditor:\u003c\/td\u003e\n\u003ctd\u003eKanton Bern\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear:\u003c\/td\u003e\n\u003ctd\u003e2019\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003ePublication; 152 pages, 30\u0026nbsp;cm\u0026nbsp;×\u0026nbsp;22,5\u0026nbsp;cm, softcover, thread stitching\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eText:\u003c\/td\u003e\n\u003ctd\u003eCatrina Sonderegger\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLanguage:\u003c\/td\u003e\n\u003ctd\u003eGerman, English\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eDesign:\u003c\/td\u003e\n\u003ctd\u003eB\u0026R (Noah Bonsma, Dimitri Reist)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN:\u003c\/td\u003e\n\u003ctd\u003e978-3-907112-12-0\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePrice:\u003c\/td\u003e\n\u003ctd\u003e[preis]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n[\/produkt_tabelle] [produkt_text]\n\u003cp\u003eIn her text about Dominik Stauch's work, Catrina Sonderegger writes:\u003cbr\u003e\n\"In \u003cem\u003eDig a Pony\u003c\/em\u003e, many things are blurred and then made crystal clear again. Thoughts and gestures are not quite compatible, almost as if this book were drunk. Some things make sense until outlines and insights completely dissolve again with the turn of the next page. This book presents a personal juxtaposition of visual narrative strands by the artist Dominik Stauch. In this collection of abstract thought-spaces, Kubrik, Cash, Mondrian, Pollock, Cage, Malevich, Man Ray, Franz Marc, Picasso and many more make an appearance, yet they all remain secondary protagonists. \n\u003cbr\u003eDominik Stauch's entire œuvre engages with the utopia of order. His works delve into the impossibility of breaking new ground without first disturbing it. \u003cem\u003eDig a Pony\u003c\/em\u003e is a veritable anthem to aimlessness and a celebration of ignorance. Efficiency versus nihilism.\u003c\/p\u003e\n[\/produkt_text]","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40365423722684,"sku":"0106-P","price":45.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/dig-a-pony_01.jpg?v=1627640995"},{"product_id":"dig-a-pony-0020-va","title":"Special edition from Dig a Pony","description":"\u003cp\u003e[produkt_tabelle]\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003ch1\u003eSpecial edition of the publication\u0026nbsp;\u003cem\u003eDig a Pony\u003c\/em\u003e\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eArtist:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp\u003e[k]Dominik Stauch[\/k]\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear:\u003c\/td\u003e\n\u003ctd\u003e2019\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003eSpecial edition; publication and two-part lithograph on River handmade paper: 30\u0026nbsp;×\u0026nbsp;45\u0026nbsp;cm \/ 60\u0026nbsp;×\u0026nbsp;45\u0026nbsp;cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition:\u003c\/td\u003e\n\u003ctd\u003e1\/12-12\/12, numbered and signed\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e[\/produkt_tabelle]\u003c\/p\u003e","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40365466779836,"sku":"0020-VA","price":0.0,"currency_code":"CHF","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/stauch_vorzugsausgabe_web.jpg?v=1637005566"},{"product_id":"nach-1990-fokus-fahnenmast","title":"nach 1990 – Fokus Fahnenmast","description":"\u003cp\u003e[produkt_tabelle]\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003ch1\u003e\u003cem\u003enach 1990 – Fokus Fahnenmast\u003c\/em\u003e\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eArtist:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp\u003e[k]Christof Zwiener[\/k]\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear:\u003c\/td\u003e\n\u003ctd\u003e2019\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003ePublication; 360 pages, 24.5\u0026nbsp;×\u0026nbsp;15.6\u0026nbsp;cm, softcover, thread stitching\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eText:\u003c\/td\u003e\n\u003ctd\u003eChristof Zwiener\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLanguage:\u003c\/td\u003e\n\u003ctd\u003eGerman, English\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eDesign:\u003c\/td\u003e\n\u003ctd\u003eDelia Keller – Gestaltung Berlin\u0026nbsp;\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN:\u003c\/td\u003e\n\u003ctd\u003e978-3-907112-20-5\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePrice:\u003c\/td\u003e\n\u003ctd\u003e[preis]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n[\/produkt_tabelle] [produkt_text]\n\u003cp\u003eFor several years, Christof Zwiener searched the public spaces of East Berlin for traces of the GDR. Large parts of the architectural and urban heritage have disappeared and been destroyed, yet flagpoles seem to have successfully defied the transformation process, even though they too have moved out of the visual and cultural consciousness. In his publication \u003cem\u003enach 1990 – Fokus Fahnenmast\u003c\/em\u003e (after 1990 – Focus Flagpoles) the artist gathers more than 300 photographs and directs our gaze not only to a special legacy of the GDR, but also to the locations, architectures and situations surrounding the former GDR flagpoles.\u003c\/p\u003e\n[\/produkt_text]","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40365489881276,"sku":"0105-P","price":38.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/nach-1990---Fokus-Fahnenmast_01.jpg?v=1627640971"},{"product_id":"twenty-five-years-of-solitude-2011-2015","title":"Special edition twenty-five years of solitude, 2011-2015 from nach 1990 – Fokus Fahnenmast","description":"\u003cp\u003e[produkt_tabelle]\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003ch1\u003eSpecial edition \u003cem\u003etwenty-five years of solitude, 2011-2015\u003c\/em\u003e of the publication \u003cem\u003enach 1990 – Fokus Fahnenmast\u003c\/em\u003e\n\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eArtist:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp\u003e[k]Christof Zwiener[\/k]\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear:\u003c\/td\u003e\n\u003ctd\u003e2019\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003eSpecial edition; publication nach 1990 – Fokus Fahnenmast (after 1990 – Focus Flagpoles) with enclosed photograph: 21\u0026nbsp;×\u0026nbsp;14\u0026nbsp;cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition:\u003c\/td\u003e\n\u003ctd\u003e1\/6–6\/6, numbered and signed\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e[\/produkt_tabelle]\u003c\/p\u003e","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40365522518204,"sku":"0018-VA","price":0.0,"currency_code":"CHF","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/5_edition_14x21_kl.jpg?v=1637006134"},{"product_id":"natural-forms","title":"Natural Forms","description":"\u003cp\u003e[produkt_tabelle]\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003ch1\u003e\u003cem\u003eNatural Forms\u003c\/em\u003e\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eArtist:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp\u003e[k]Marta Pohlmann-Kryszkiewicz[\/k]\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear:\u003c\/td\u003e\n\u003ctd\u003e2019\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003ePublication; 68 pages (some fold-out), 23.1\u0026nbsp;×\u0026nbsp;33\u0026nbsp;cm, softcover, thread stitching\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eText:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp class=\"p1\"\u003eItalo Testa\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eLanguage:\u003cbr\u003e\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp class=\"p1\"\u003eGerman, English\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eDesign:\u003c\/td\u003e\n\u003ctd\u003eOndine Pannet (Bureau Est) and Thomas Schoofs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN:\u003c\/td\u003e\n\u003ctd\u003e978-3-907112-14-4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePrice:\u003c\/td\u003e\n\u003ctd\u003e[preis]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n[\/produkt_tabelle] [produkt_text]\n\u003cp\u003eThe photo book \u003cem\u003eNatural Forms\u003c\/em\u003e by Marta Pohlmann-Kryszkiewicz presents objects and fragments of waste. It is a photographic appropriation and condensation of structures and stratifications. The book makes visible a topography of consumer legacies that are placed in relation to nature. In the macroscopic recording of change processes, narrative shifts emerge and show what remains – raw material of new artificial landscapes, unknown skeletons and insect-like formations.\u003cbr\u003e\nInterrupted by monochrome pages featuring enlarged sections of damaged surfaces, the book is divided into primary colours as a sequence of blue, red and yellow and an additional ordering colour of green. Little by little, meaningful connections between the colours in the objects are triggered for the viewer and reader.\u003cbr\u003e\nIn dialogue with the images, the lyricist and philosopher Italo Testa writes about the sticky bitumen of the metropolis, opening up a stimulating conversation with the subject matter. \u003c\/p\u003e\n[\/produkt_text]","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40365564625084,"sku":"0104-P","price":35.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/Natural-Forms_01.jpg?v=1627640937"},{"product_id":"shift-happens","title":"Shift Happens","description":"\u003cp\u003e[produkt_tabelle]\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003ch1\u003e\u003cem\u003eShift Happens\u003c\/em\u003e\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSeries:\u003c\/td\u003e\n\u003ctd\u003e[r]Werk-Buch \/ Œuvre d’artiste\u003cspan data-mce-fragment=\"1\"\u003e[\/r]\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eArtist:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp\u003e[k]Vincent Chablais[\/k]\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEditor:\u003c\/td\u003e\n\u003ctd\u003eKanton Bern\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear:\u003c\/td\u003e\n\u003ctd\u003e2019\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003ePublication; 128-page fanfold, 23\u0026nbsp;×\u0026nbsp;32\u0026nbsp;cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eText:\u003c\/td\u003e\n\u003ctd\u003eJulien Maret\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLanguage:\u003c\/td\u003e\n\u003ctd\u003eGerman, French\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eDesign:\u003c\/td\u003e\n\u003ctd\u003eVincent Chablais, B\u0026R (Noah Bonsma, Dimitri Reist)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN:\u003c\/td\u003e\n\u003ctd\u003e978-3-907112-10-6\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePrice:\u003c\/td\u003e\n\u003ctd\u003e[preis]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n[\/produkt_tabelle] [produkt_text]\n\u003cp\u003eWhen I was preparing for the studio move, I made numerous drawings to visualise furnishings for the new studio. I started with simple sketches for rolling furniture as a storage solution for my paperwork. I had to get inventive; I enjoyed this.\u003c\/p\u003e\n\u003cp\u003eI began to move in a space by drawing, to feel it and to create new spaces within it. The empty studio spaces attracted me with its proportions and its seclusion, with its status as a volume in the void.\u003cbr\u003e\nIt was a great time of dreaming, of playing with possibilities. I moved around in a kind of intermediate zone: spatially between the old and the new studio, temporally between the old works I found while cleaning up and the possible new ones I began to imagine.\u003c\/p\u003e\n\u003cp\u003eI searched for an author for this state and discovered the work of Julien Maret. His fragmentary writing appealed to me because I work in a similar manner. At one of my exhibitions in Saint-Maurice, the whole dissolves into meticulous observations of details, trivialities and actions. Maret takes this installation as the starting point for his associative text. It's really amazing how the text manages to navigate between image and text, with some things becoming more concrete and others remaining pleasantly mysterious. This was very fitting for me.\u003c\/p\u003e\n[\/produkt_text]","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40365629931708,"sku":"0103-P","price":55.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/Shift-Happens_01.jpg?v=1627640921"},{"product_id":"passing-through-schweizer-kulturschaffende-in-new-york-swiss-artists-in-new-york","title":"Passing Through. Schweizer Kulturschaffende in New York \/ Swiss Artists in New York","description":"\u003cp\u003e[produkt_tabelle]\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003ch1\u003e\u003cem\u003ePassing Through. Schweizer Kulturschaffende in New York \/ Swiss Artists in New York\u003c\/em\u003e\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eArtists:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp\u003e[k]Various[\/k] (Äneas Humm, Bruno Jakob, Christian Wassmann, Grégoire Maret, Laura Livers, Lina Müller \u0026 Luca Schenardi, Linda Geisser, Mark Bächle, Petra Volpe, Sabine Krayenbühl, Susanne Bartsch, Tina Roth Eisenberg, Veronika Spierenburg, Yvonne Meier)\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEditor:\u003c\/td\u003e\n\u003ctd\u003eNicole Rampa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear:\u003c\/td\u003e\n\u003ctd\u003e2019\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition:\u003c\/td\u003e\n\u003ctd\u003ePublication; 172 pages, 17\u0026nbsp;×\u0026nbsp;22.5\u0026nbsp;cm, cloth binding with embossed lettering, thread stitching\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eText:\u003c\/td\u003e\n\u003ctd\u003eYael Inokai\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLanguage:\u003c\/td\u003e\n\u003ctd\u003eGerman, English\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eDesign:\u003c\/td\u003e\n\u003ctd\u003eStudio Shafei Basel\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN:\u003c\/td\u003e\n\u003ctd\u003e978-3-907112-05-2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePrice:\u003c\/td\u003e\n\u003ctd\u003e[preis]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n[\/produkt_tabelle] [produkt_text]\n\u003cp\u003e\u003cem\u003ePassing Through\u003c\/em\u003e echoes different paces and rhythms of New York in 14 literary portraits and photographic snapshots. For some of the contributors, New York has been home for decades, while others have only been immersed in the city for days or months at a time. On one particular day in autumn 2018, they shared with us their (everyday) experiences. At sometimes high speeds, we travelled through the East or West Village, along Broadway, from Harlem to Midtown, from Chelsea to the Upper West Side to Brooklyn and Queens. Out into a world of which one sometimes imagines themselves to be at the centre, even at the edges. The rattle of the subway and the wail of sirens were followed by moments of silence and retreat. Rides in taxis, hurry and density met idleness and deceleration in parks and at home. Step by step and day by day, aspects of the city opened up to us, filtered through the gaze of the creative artists gathered here. They are the main protagonists and represent ways in which New York can be seen, experienced and lived.\u003c\/p\u003e\n\u003cp\u003eThe author Yael Inokai has written short literary portraits of the artists. \u003c\/p\u003e\n[\/produkt_text]","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40365661388988,"sku":"0102-P","price":38.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/Passing-Through_01.jpg?v=1627640895"},{"product_id":"der-grune-henry-ein-kunstparcours-durch-gottfried-kellers-zurich","title":"Der grüne Henry. Ein Kunstparcours durch Gottfried Kellers Zürich","description":"\u003cp\u003e[produkt_tabelle]\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003ch1\u003e\u003cem\u003eDer grüne Henry. Ein Kunstparcours durch Gottfried Kellers Zürich\u003c\/em\u003e\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eArtists:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp\u003e[k]Various[\/k] (Judith Albert, Isabelle Krieg, Rémy Markowitsch, Yves Netzhammer, Ursula Palla, Mario Sala)\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear:\u003c\/td\u003e\n\u003ctd\u003e2019\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003ePublication; 184 pages, 15.5\u0026nbsp;cm\u0026nbsp;×\u0026nbsp;11\u0026nbsp;cm, laminated hardcover, thread stitching\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eText:\u003c\/td\u003e\n\u003ctd\u003eAngelika Affentranger-Kirchrath, Jacqueline Burkhardt, Rainer Diederichs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLanguage:\u003c\/td\u003e\n\u003ctd\u003eGerman\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eDesign:\u003c\/td\u003e\n\u003ctd\u003eNadine Rinderer (N \u0026 N Grafik – Identitäten)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN:\u003c\/td\u003e\n\u003ctd\u003e978-3-907112-08-3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePrice:\u003c\/td\u003e\n\u003ctd\u003e[preis]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n[\/produkt_tabelle] [produkt_text]\n\u003cp\u003e2019 marked the 200th anniversary of Gottfried Keller's birth. For this occasion, the art trail \u003cem\u003eDer grüne Henry\u003c\/em\u003e (The Green Henry) was initiated, which is documented by this publication. The trail is intended as a contemporary commentary on Gottfried Keller and his work, containing many references to the city of Zurich.\u003cbr\u003e\nWith a touch of humour, Gottfried Keller often spoke of his \"grüner Henry\", referring to the epochal artist's novel \u003cem\u003eDer grüne Heinrich\u003c\/em\u003e (Green Henry), which features autobiographical traits of the poet. \"Der grüne Henry\" was the focus of a project that was designed as an art trail through Zurich. Curator Angelika Affentranger-Kirchrath invited six artists to respond to various places that have a special significance in Gottfried Keller's life and work with their own works. The stations included: the black garden at Stüssihof, the Central Library at Predigerplatz, the Zunfthaus zur Meisen restaurant, Arnold Böcklin’s studio above Hegibachplatz, the International Lyceum Club and the Obere Bürgli above the Enge.\u003c\/p\u003e\n[\/produkt_text]","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40366602191036,"sku":"0101-P","price":25.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/Der-grune-Henry_01.jpg?v=1627640796"},{"product_id":"pianos-melonen","title":"Pianos \u0026 Melonen","description":"\u003cp\u003e[produkt_tabelle]\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003ch1\u003e\u003cem\u003ePianos \u0026 Melonen\u003c\/em\u003e\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eSeries:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp\u003e[r]Fondation de l’Abbatiale de Bellelay[\/r]\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eArtist:\u003c\/td\u003e\n\u003ctd\u003e[k]Zilla Leutenegger[\/k]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEditor:\u003c\/td\u003e\n\u003ctd\u003eFondation de l’Abbatiale de Bellelay\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear:\u003c\/td\u003e\n\u003ctd\u003e2019\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003ePublication; 94 pages, 31\u0026nbsp;×\u0026nbsp;22\u0026nbsp;cm, linen-clad hardcover, embossed and with mounted print, thread stitching\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eText:\u003c\/td\u003e\n\u003ctd\u003eKathleen Bühler, Marina Porobic\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLanguage:\u003c\/td\u003e\n\u003ctd\u003eGerman, English, French\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eDesign:\u003c\/td\u003e\n\u003ctd\u003eBruno Margreth mit Zilla Leutenegger\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN:\u003c\/td\u003e\n\u003ctd\u003e978-3-907112-13-7\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePrice:\u003c\/td\u003e\n\u003ctd\u003e[preis]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e[\/produkt_tabelle] [produkt_text]\u003c\/p\u003e\n\u003cp\u003eThe publication \u003cem\u003ePianos \u0026 Melonen\u003c\/em\u003e (Pianos \u0026 Melons) was published to coincide with Zilla Leutenegger's solo exhibition, \u003cem\u003eL’ouest ou l’est\u003c\/em\u003e (West or East), in the baroque Bellelay Abbey and was edited by the Fondation l'Abbatiale de Bellelay.\u003c\/p\u003e\n\u003cp\u003e[\/produkt_text]\u003c\/p\u003e","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40366643839164,"sku":"0100-P","price":30.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/Pianos-_-Melonen_01.jpg?v=1627640969"},{"product_id":"veh-landschaften-im-talmuseum-st-antonien","title":"Veh Landschaften im Talmuseum St. Antönien","description":"\u003cp\u003e[produkt_tabelle]\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003ch1\u003e\u003cem\u003eVeh Landschaften im Talmuseum St. Antönien\u003c\/em\u003e\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eArtists:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp\u003e[k]Various[\/k] (Christian Bolt, Hans Danuser, Klodin Erb, Monika Flütsch, Gerber \u0026 Bardill, Emil Gut, Hans Krüsi, Andres Lutz, Ursula Palla, Roman Signer, Miguel Tamo, Agatha Zobrist)\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear:\u003c\/td\u003e\n\u003ctd\u003e2019\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003ePublication; 64 pages, 22.5\u0026nbsp;cm\u0026nbsp;×\u0026nbsp;16.5\u0026nbsp;cm, softcover, thread stitching, brochure\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eText:\u003c\/td\u003e\n\u003ctd\u003eChristian Bolt, Jann Flütsch, Gabriele Lutz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLanguage:\u003c\/td\u003e\n\u003ctd\u003eGerman\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eDesign:\u003c\/td\u003e\n\u003ctd\u003ePeter Zimmermann\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN:\u003c\/td\u003e\n\u003ctd\u003e978-3-907112-15-1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePrice:\u003c\/td\u003e\n\u003ctd\u003e[preis]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n[\/produkt_tabelle] [produkt_text]\n\u003cp\u003eThis small publication was produced to coincide with the eponymously-titled exhibition \u003cem\u003eVeh Landschaften\u003c\/em\u003e (Veh Landscapes) at the St. Antönien Museum of Local History. 12 contemporary artists were invited to develop works in dialogue with the museum, which is located in the remote mountain village of St. Antönien, and the extensive pottery and tiled stove collection belonging to the Lötscher family. The artistic interventions partly interweave with the spaces of the museum, the collection and the local environment.\u003c\/p\u003e\n[\/produkt_text]","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40366750892220,"sku":"0099-P","price":20.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/Veh-Landschaften_01.jpg?v=1627640747"},{"product_id":"pendant-salez-landwirtschaftliches-zentrum","title":"Pendant. Salez. Landwirtschaftliches Zentrum","description":"\u003cp\u003e[produkt_tabelle]\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003ch1\u003e\u003cem\u003ePendant. Salez. Landwirtschaftliches Zentrum\u003c\/em\u003e\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSeries:\u003c\/td\u003e\n\u003ctd\u003e[r]Kunst und Bau[\/r] number 8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eArtist:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp\u003e[k]Elisabeth Nembrini[\/k]\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear:\u003c\/td\u003e\n\u003ctd\u003e2019\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003ePublication; booklet: 24.5\u0026nbsp;×\u0026nbsp;16.5\u0026nbsp;cm \/ poster: 66\u0026nbsp;×\u0026nbsp;98\u0026nbsp;cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eText:\u003c\/td\u003e\n\u003ctd\u003eCorinne Schatz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLanguage:\u003c\/td\u003e\n\u003ctd\u003eGerman\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eDesign:\u003c\/td\u003e\n\u003ctd\u003eKrispin Heé and Samuel Bänziger\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN:\u003c\/td\u003e\n\u003ctd\u003e978-3-907112-03-8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePrice:\u003c\/td\u003e\n\u003ctd\u003e[preis]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e[\/produkt_tabelle] [produkt_text]\u003c\/p\u003e\n\u003cp\u003eThe series \u003cem\u003eKunst und Bau\u003c\/em\u003e (Art and Building) began in 2014. It gives a platform to selected artistic projects that were realised in connection with architecture or in public space. Although the contexts change, the format always remains the same and consists of a folding booklet and a poster. \nFor the Agricultural Centre in Salez, the artist Elisabeth Nembrini developed a four-part hanging sculpture made of shingles, which was inspired by the shape of honeycombs. \n\u003c\/p\u003e\n\u003cp\u003e[\/produkt_text]\u003c\/p\u003e","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40366861582524,"sku":"0098-P","price":5.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/Postkarte-No8.jpg?v=1635177134"},{"product_id":"about-a-square-ten-years-of-site-specific-exhibitions-at-zqm","title":"about a square. ten years of site-specific exhibitions at zqm","description":"\u003cp\u003e[produkt_tabelle]\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003ch1\u003e\u003cem\u003eabout a square. ten years of site-specific exhibitions at zqm\u003c\/em\u003e\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eArtists:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp\u003e[k]Various[\/k]\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEditor:\u003c\/td\u003e\n\u003ctd\u003eEric Emery\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear:\u003c\/td\u003e\n\u003ctd\u003e2019\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003ePublication; 176 pages, 28\u0026nbsp;×\u0026nbsp;21\u0026nbsp;cm, softcover with dust jacket (poster), thread stitching\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eText:\u003c\/td\u003e\n\u003ctd\u003eAscanio Cecco, John Cornu, Eric Emery\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLanguage:\u003c\/td\u003e\n\u003ctd\u003eEnglish, French\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eDesign:\u003c\/td\u003e\n\u003ctd\u003eJulie Joliat\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN:\u003c\/td\u003e\n\u003ctd\u003e978-3-907112-07-6\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePrice:\u003c\/td\u003e\n\u003ctd\u003e[preis]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n[\/produkt_tabelle] [produkt_text]\n\u003cp\u003eThis publication offers a review of the activity of the Berlin project space \u003cem\u003ezwanzigquadratmeter (zqm)\u003c\/em\u003e over a period of more than ten years. It has the characteristics of a catalogue and yet should be understood entirely as an artist’s book – as an independent work. It is an invitation from the founder and artistic director of the project space Eric Emery to the graphic designer Julie Joliat. She was given carte blanche to develop a new, vibrant graphic work from the photographic documentation of the numerous exhibitions. In doing so, she managed to transfer the concept of the space, i.e. to invite artists to develop works on-site and for the site: This resulted in an in situ publication.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eabout square\u003c\/em\u003e also contains theoretical contributions on the independent Berlin art scene and curatorial practices as tested in the project space.\u003c\/p\u003e\n[\/produkt_text]","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40367003828412,"sku":"0097-P","price":30.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/about-a-square_01.jpg?v=1627640710"},{"product_id":"architektur-farbe-licht-die-kunst-von-benno-k-zehnder-im-spital-schwyz","title":"Architektur Farbe Licht. Die Kunst von Benno K. Zehnder im Spital Schwyz","description":"\u003cp\u003e[produkt_tabelle]\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003ch1\u003e\u003cem\u003eArchitektur Farbe Licht. Die Kunst von Benno K. Zehnder im Spital Schwyz\u003c\/em\u003e\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eArtist:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp\u003e[k]Benno K. Zehnder[\/k]\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEditor:\u003c\/td\u003e\n\u003ctd\u003eKrankenhausgesellschaft Schwyz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear:\u003c\/td\u003e\n\u003ctd\u003e2018\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003ePublication; 192 pages, 31\u0026nbsp;×\u0026nbsp;23\u0026nbsp;cm, hardcover, dust jacket, thread stitching\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eText:\u003c\/td\u003e\n\u003ctd\u003eThomas Aeschmann, Anselm Burr, Gabriela Christen, Dieter Geissbühler, Silvia Henke, Erwin Koch, Jürg Krummenacher, Kerstin Moeller, Alfred Sutter, Benno K. Zehnder\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLanguage:\u003c\/td\u003e\n\u003ctd\u003eGerman\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eDesign:\u003c\/td\u003e\n\u003ctd\u003eAnne Hoffman Graphic Design (Anne Hoffmann, Jörg Schwertfeger)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN:\u003c\/td\u003e\n\u003ctd\u003e978-3-907112-04-5\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePrice:\u003c\/td\u003e\n\u003ctd\u003e[preis]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n[\/produkt_tabelle] [produkt_text]\n\u003cp\u003eThis art book documents the long process of the colour concept that Benno K. Zehnder developed for the Schwyz Hospital, from the planning all the way to the implementation. It was created in collaboration with architect Alfred Suter of BSS Architects from 2002 to 2018 as part of a hospital renovation and expansion project. Although he was initially only commissioned to select the colour scheme for a doctor's corridor, Zehnder's concept was so convincing that he was commissioned to design the entire hospital. His intention was to show the hospital as a place where life is present in its most extreme forms (coming into being, being, passing away).\u003c\/p\u003e\n\u003cp\u003eThe fact that he succeeded in doing so is confirmed by the writer and journalist Erwin Koch in his text for the publication: \"He remarked how he had been in the Schwyz Hospital several times and felt strangely at ease there, even though nobody likes going to hospital. And, for a long time, he didn't realise why. That was until, walking through a corridor lit only by a thin rail of artificial light, he noticed the colours that enlivened the hallway: quiet, invigorating colours – yellows, greens, pinks – each one basking in the reflection of the other.\"\u003c\/p\u003e\n\u003cp\u003eIn addition to Koch, other authors from the fields of architecture and contribute texts, illustrating what makes this art project so unique. Photographer Seraina Wirz was tasked with photographing the coloured areas in corridor and stairwells in way that would convey an impression of the impressive work in book format; she fulfilled this task by taking pictures, which themselves became works of art. \n\u003c\/p\u003e\n[\/produkt_text]","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40367057895612,"sku":"0096-P","price":58.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/Architektur-Farbe-Licht_01.jpg?v=1627640653"},{"product_id":"freunde-feinde-mitmenschen","title":"Freunde Feinde Mitmenschen","description":"\u003cp\u003e[produkt_tabelle]\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003ch1\u003e\u003cem\u003eFreunde Feinde Mitmenschen\u003c\/em\u003e\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eArtist:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp\u003e[k]Siegfried Kaden[\/k]\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear:\u003c\/td\u003e\n\u003ctd\u003e2018\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003ePublication; 128 pages, 21\u0026nbsp;×\u0026nbsp;21\u0026nbsp;cm, softcover, brochure\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eText:\u003c\/td\u003e\n\u003ctd\u003eSiegfried Kaden, Helmut A. Müller\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLanguage:\u003c\/td\u003e\n\u003ctd\u003eGerman, Spanish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN:\u003c\/td\u003e\n\u003ctd\u003e978-3-907112-00-7\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePrice:\u003c\/td\u003e\n\u003ctd\u003e[preis]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n[\/produkt_tabelle] [produkt_text]\n\u003cp\u003eBorn in Dresden in 1945, the artist Siegfried Kaden has lived and worked in Havana for many years. This publication documents 149 portrait photographs that the artist has drawn over. It features people whom the artist met in Cuba and in Europe, some of whom had dealings with and some of whom became his friends.\u003c\/p\u003e\n[\/produkt_text]","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40367131787452,"sku":"0095-P","price":28.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/Siegfried-Kaden---Zeichnungen_01.jpg?v=1627640618"},{"product_id":"dreamer-muttenz-fhnw-campus","title":"Dreamer. Muttenz. FHNW Campus","description":"\u003cp\u003e[produkt_tabelle]\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003ch1\u003e\u003cem\u003eDreamer. Muttenz. FHNW Campus\u003c\/em\u003e\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSeries:\u003c\/td\u003e\n\u003ctd\u003e[r]Kunst und Bau[\/r] number 7\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eArtist:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp\u003e[k]Katja Schenker[\/k]\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEditor:\u003c\/td\u003e\n\u003ctd\u003eJosef Felix Müller\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear:\u003c\/td\u003e\n\u003ctd\u003e2018\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003ePublication; booklet: 24.5\u0026nbsp;×\u0026nbsp;16.5\u0026nbsp;cm \/ poster: 66\u0026nbsp;×\u0026nbsp;98\u0026nbsp;cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eText:\u003c\/td\u003e\n\u003ctd\u003eMatthias Michel\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLanguage:\u003c\/td\u003e\n\u003ctd\u003eGerman\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eDesign:\u003c\/td\u003e\n\u003ctd\u003eKrispin Heé, Samuel Bänziger\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN:\u003c\/td\u003e\n\u003ctd\u003e978-3-907112-02-1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePrice:\u003c\/td\u003e\n\u003ctd\u003e[preis]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e[\/produkt_tabelle] [produkt_text]\u003c\/p\u003e\n\u003cp\u003eThe series \u003cem\u003eKunst und Bau\u003c\/em\u003e (Art and Building) began in 2014. It gives a platform to selected artistic projects that were realised in connection with architecture or in public space. Although the contexts change, the format always remains the same and consists of a folding booklet and a poster.\u003cbr\u003e\nFor the campus of the University of Applied Sciences and Arts Northwestern Switzerland in Muttenz, Katja Schenker created an eleven-meter-high sculpture that stands centrally in the foyer. It consists of concrete into which she has poured materials such as wood, stone and metals from various regions of Switzerland. \u003c\/p\u003e\n\u003cp\u003e[\/produkt_text]\u003c\/p\u003e","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40367175729340,"sku":"0094-P","price":5.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/Postkarte-No7.jpg?v=1635176767"},{"product_id":"singvogel-carpiniphon-baden-schulanlage-rutihof","title":"Singvogel \u0026 Carpiniphon. Baden. Schulanlage Rütihof","description":"\u003cp\u003e[produkt_tabelle]\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eTitle:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003ch1\u003e\u003cem\u003eSingvogel \u0026 Carpiniphon. Baden. Schulanlage Rütihof\u003c\/em\u003e\u003c\/h1\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSeries:\u003c\/td\u003e\n\u003ctd\u003e[r]Kunst und Bau[\/r] number 6\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cp\u003eArtist:\u003c\/p\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cp\u003e[k]Lorenz Olivier Schmid[\/k]\u003c\/p\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEditor:\u003c\/td\u003e\n\u003ctd\u003eJosef Felix Müller\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear:\u003c\/td\u003e\n\u003ctd\u003e2018\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat:\u003c\/td\u003e\n\u003ctd\u003ePublication; booklet: 7 pages, 24.5\u0026nbsp;×\u0026nbsp;16.5\u0026nbsp;cm \/ Poster: 66\u0026nbsp;×\u0026nbsp;98\u0026nbsp;cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eText:\u003c\/td\u003e\n\u003ctd\u003eCarole Kambli, François Morel\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLanguage:\u003c\/td\u003e\n\u003ctd\u003eGerman\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eDesign:\u003c\/td\u003e\n\u003ctd\u003eKrispin Heé, Samuel Bänziger\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN:\u003c\/td\u003e\n\u003ctd\u003e978-3-907112-01-4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePrice:\u003c\/td\u003e\n\u003ctd\u003e[preis]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e[\/produkt_tabelle] [produkt_text]\u003c\/p\u003e\n\u003cp\u003eThis series started in 2014 and will be continued continuously at irregular intervals. Reminiscent of an architecture plan, the folding booklet with a poster gives a platform to selected artistic projects that were realised in connection with architecture or in public space.\u003cbr\u003e \nFor the new building of the Rütihof school complex in Baden, the artist Lorenz Oliver Schmid developed an installation made of sound bars (so-called cardiophones) and apple wood to be used on several facades. The work was complemented with duck whistles, which were distributed to the students. \u003c\/p\u003e\n\u003cp\u003e[\/produkt_text]\u003c\/p\u003e","brand":"Vexer Verlag","offers":[{"title":"Default Title","offer_id":40367237824700,"sku":"0093-P","price":5.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0531\/4874\/5916\/products\/Postkarte-No6.jpg?v=1635176737"}],"url":"https:\/\/vexer.ch\/en\/collections\/all\/schmitt-arne.oembed","provider":"Vexer Verlag GmbH","version":"1.0","type":"link"}